THE PHALANX DRAGON

In this jarringly anti-Muslim thriller, a US stealth cruise missile veers off course during the Gulf War and lands intact in the Iranian desert, giving the government a prototype from which to develop its own cruise missiles and to take up where Saddam Hussein left off. Bakhtiar, a fundamentalist in the Iranian government, arranges to have the prime minister and his right hand man murdered. Once in power, Bakhtiar gets the Ayatollah's blessings to hit a series of oil tankers in the Gulf, making it clear that he will cut off the flow of oil to the West until Iran's economy is resuscitated. Working against him are James Duke, the pilot hero of Nightstalker (1992) and Strike of the Cobra (1993), and an ensemble cast that includes Mark Collins, a CIA agent posing as a weapons trader who is sent in to reactivate communication with ``Zenith''; a female Iranian engineer who had been sending the Agency information; U.S. Vice Admiral Nelson Zachiem III, a politically ambitious career officer eager to prove the Navy can clean up this mess with minimal help from the Air Force; and Democratic senator Paula Jenrette, whose leaks to CNN are implausibly blamed for the outbreak of the war. Rizzi is at his best describing the different airplanes, radars, and weapons and how they all work together. His understanding of Muslim fundamentalism is superficial at best, racist at worst, and although he gives lip service to his female characters' intelligence, ``Zenith'' is a damsel in distress complete with chador, and Jenrette is a soft-headed liberal with blood on her hands. Only Duke and his fellow top guns end up looking good; as everyone else fades out of the picture, they conduct a high speed chase that pits complex US military technology against the Iranians chasing Collins and ``Zenith'' across the medieval landscape. Thin plot, thinner characterizations, great techno-speak and top-gun action. (Maps and diagrams, not seen)

Pub Date: Sept. 20, 1994

ISBN: 1-55611-391-9

Page Count: 432

Publisher: Donald Fine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1994

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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