A vivid and haunting fantasy that involves a mysterious city.

TOWER, SWORD, STONE AND SPELL

The lives of a group of fighters, thieves, and sages converge in a land of intrigue and magic.

Lias is a man with a tragic past whose attempt at seeking a new life takes an unexpected detour. He’s a pit-fighter, and he and his twin brother were abandoned to the care of a pit-master who oversees hand-to-hand battles—sometimes to the death—on “the hard-packed earth” of a pit. When a new master wants him to fight his brother, Lias walks away and heads toward a monastery. He is captured by slavers along with a sage named Uril. After Uril’s death, an attack on the slavers gives Lias an opportunity to escape and find Uril’s family in Yut. In another part of Yut, an acolyte named Jyn prepares to meet his father, Magus Rhune. He travels with his teacher, Yu, to his father’s mansion; it seems that his father is seeking to extend his own life, and Jyn may be an important part of that quest. Ryll, a former thief, returns to Yut at the request of his former master, Anue, to retrieve a Heart-Stone, stolen by Cassi, Aune’s lover. While in Yut, Ryll recalls a journey with Cassi to the tower of a thaumaturgist, or magician, and the shocking discovery that continues to trouble him. Vincent’s fantasy weaves together three haunting tales of magic and mystery centered on Yut, a city full of secrets and surprises. Each tale has a protagonist embarking on a deeply and ultimately life-changing personal quest. Vincent is especially adept at creating compelling characters and vividly realized scenarios brimming with moments of intrigue and terror. One of the most dynamic and complex is Ryll, a skilled thief who leaves a life of deception for a simpler existence on a mountain with his wife, Myn. His past with Cassi and their dangerous journey to the thaumaturgist’s tower provide some of the narrative’s most intense and emotionally driven moments. Magic is a source of wonder and horror throughout the novel, particularly in Jyn’s story, where his father’s attempts at immortality include using people in his constructs.

A vivid and haunting fantasy that involves a mysterious city.

Pub Date: Sept. 23, 2019

ISBN: 978-1-949241-14-3

Page Count: 215

Publisher: Left Hand Publishers LLC

Review Posted Online: March 4, 2020

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A masterful debut from a must-read new voice in fantasy.

FOR THE WOLF

Twin princesses—one fated to become a queen, the other a martyr—find themselves caught up in an unexpected battle of dark magic and ancient gods.

Four hundred years ago, a Valleydan princess facing a loveless betrothal sought refuge in the Wilderwood with her lover, the Wolf. The legendary Five Kings—including her father and her husband-to-be—pursued them only to be trapped in the Wilderwood. Now, according to legend, the only hope of restoring the Five Kings to power lies in the ritual sacrifice of every Second Daughter born to Valleyda's queen. There hasn't been a second daughter for 100 years—until now. On her 20th birthday, Redarys accepts her fate and walks into the Wilderwood to become the Wolf's next victim only to find that the stories she grew up on were lies. The handsome man who lives in a crumbling castle deep in the forest is not the original Wolf but his son, and he wants nothing to do with Red or her sacrifice. Afraid of her wild magic abilities and the danger they pose to her sister, Neverah, Red refuses to leave the Wilderwood. Instead, she clings to the new Wolf, Eammon, who will do whatever it takes to protect her from the grisly fate of the other Second Daughters. Meanwhile, in the Valleydan capital, Neve's desperation to bring her sister home sets her on a path that may spell disaster for Red, Eammon, and the Wilderwood itself. Whitten weaves a captivating tale in this debut, in which even secondary characters come to feel like old friends. The novel seamlessly blends "Little Red Riding Hood" and "Beauty and the Beast" into an un-put-down-able fairy tale that traces the boundaries of duty, love, and loss.

A masterful debut from a must-read new voice in fantasy.

Pub Date: June 1, 2021

ISBN: 978-0-316-59278-9

Page Count: 448

Publisher: Orbit

Review Posted Online: April 14, 2021

Kirkus Reviews Issue: May 1, 2021

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A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

THE SWALLOWED MAN

A retelling of Pinocchio from Geppetto's point of view.

The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”

A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

Pub Date: Jan. 26, 2021

ISBN: 978-0-593-18887-3

Page Count: 208

Publisher: Riverhead

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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