A promising first installment in a strange blend of theological horror.
An intriguing supernatural tale in which a young man uncovers a hidden truth about his heritage.
At the start of Weatherall’s tense and atmospheric debut, the first in a projected series, the Magister family—17-year-old Joe; his mother, Madeline; and his loutish, alcoholic stepfather, Will—are driving through a snowstorm in Ontario’s remote Nahanni Valley when they accidentally hit a wolf on the road. The year is 1960, long before GPS or cellphones, and Joe’s stepfather drives off from the impact without a second thought. Joe, however, agonizes at the thought of the wounded animal out there in the dark. He slips away from home late that night intent on finding the wolf—and finding in the process much more than he expected. When he finally stumbles back home, he’s changed—immune to cold, tireless, and preternaturally perceptive. In subsequent days, he encounters a mysterious woman named Tereene who unfolds to him not only his true nature, but also the supernatural underpinnings of reality itself, in which, she explains, souls get stronger as they age and feed on emotions, eventually becoming powerful, angel-like beings, but even so, as his own personal transformation continues, Joe wonders if he’s given his soul to the devil. Weatherall manipulates the many moving parts of this new cosmology with skill and economy. His simply evil characters tend to feel a bit pat, and Joe’s journey from innocent youth to otherworldly warrior is one readers of horror fantasy have seen many times before. But the tale is told with vigor and conviction nonetheless. The novel’s spiritual world—where traditional notions of good and evil are richly confused and complicated—is one the reader must navigate right alongside Joe.
A promising first installment in a strange blend of theological horror.Pub Date: July 8, 2015
ISBN: 978-1-46-026629-8
Page Count: 264
Publisher: FriesenPress
Review Posted Online: Nov. 4, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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