A gripping mystery with historical and speculative-fiction flourishes that should captivate fans of all three genres.


In Farmer’s debut novel, an alcoholic reporter’s investigation of an old psychiatric hospital unearths many more complex and disturbing mysteries, blending American history, African mythology, mystery and Southern Gothic drama.

Angie McDowell is working on a story about Blytheville State Hospital, a mental institution in Georgia that, before the Civil War, had been a slave plantation. As she begins digging into the hospital’s past, she discovers some disturbing evidence that the plantation owner had been obsessed with evolution and trying to create a hybrid race through regulated breeding. She also begins experiencing visions of what seems to be the ghost of a giant slave woman, Sallie, who has six fingers on each hand and communicates with Angie in hopes that she can be the one to finally put right all the wrongs that had been perpetrated against blacks on this seemingly cursed property. She enlists the help of Georgia Bureau of Investigation agent Blake Childs, a former lover of hers, and the two go down a veritable rabbit hole that involves the history of the Blythe family, their slaves, a mysterious undertaking called “Project Nephili” and an archeological dig in Israel. All the while, they cross paths with incredibly dangerous people and risk their lives to uncover the truth. Farmer has crafted an often taut, tense page-turner with an impressively large scope, not only expanding the story to international boundaries but dipping into flashbacks going all the way back to Africa in 1805 and stretching throughout the pre– and post–Civil War eras in the American South. Ultimately, the story incorporates elements biblical, mythological and even paranormal. Although the characters, particularly the shadowy villains, tend to remain more archetypal than fully fleshed out, this debut is a strong first effort marked by ambition and heart. In addition to its eeriness and suspense, it’s also incredibly humane, rendering even the more gonzo revelations palatable

A gripping mystery with historical and speculative-fiction flourishes that should captivate fans of all three genres.

Pub Date: June 23, 2014

ISBN: 978-0990421627

Page Count: 436

Publisher: Story Merchant

Review Posted Online: Nov. 4, 2014

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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