A teasing similarity to Jon Scieszka’s masterpiece, but without its enormous success. From the tale the Wolf tells, he is innocence incarnate. But his comments to the reader (and the illustrations) paint a different picture. It seems the Wolf was a handyman for Grandma, so he witnessed the kid’s weekly visits—visits that made him feel left out and lonely. One particular day the Wolf was out gathering herbs (he’s vegetarian) and spotted Little Red bearing her basket laden with dentist’s-nightmare toffee. Taking the shortcut to warn Grandma to hide her teeth, he found her reaching for a dress and witnessed the fall and subsequent unconsciousness. Readers know the rest. Cohen’s detailed watercolors echo the wolf’s two-sidedness: One moment he appears to be a hardworking laborer, the next he is looking sly-eyed at Grandma. The final page shows him with a hobo’s stick over one shoulder, a bandaged stump of a tail and a sly look in his eye, looking for his next job: “No, please. Look at me. Would I lie to you?” Well, would he? (Picture book. 4-8)
Pub Date: Nov. 1, 2005
ISBN: 0-7636-2785-2
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2005
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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