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Ridiculosity

A DEPLOYMENT TO AFGHANISTAN

An insightful and comedic look at military life in the theater of war.

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An American soldier reflects on a yearlong deployment to Afghanistan in this debut memoir.

While stationed in Afghanistan for about a year, stretching from the tail end of 2009 through 2010, intelligence specialist Campau resolved to send regular emails to his family back home. The result of this correspondence is this volume, recounting his days leading a team devoted to the gathering and interpreting of intelligence in a dangerous province that hugs the Pakistani border. Campau’s account reads like a series of self-sufficient vignettes, each describing a character, experience, or cultural feature of Army life. His colorful cast of colleagues, who figure prominently in his remembrance, forms the thread that unifies sometimes-scattershot essays. Campau discusses the cultural proliferation of tattoos among soldiers, once forbidden and now ubiquitous, and the practice of “man-scaping.” (Some chapters are preceded by a disclaimer warning the reader of potentially offensive material to follow.) The best of Campau’s reflections, though, revolve around the peculiar atmosphere of military life in a war zone, which vacillates between extreme danger (incoming mortar rounds, for example) and acute boredom. The author expertly discusses the often complex social dynamics of groups working long hours in claustrophobically close quarters and the consequences of sometimes-startling multicultural diversity. A vivid tableau of the military as an organization emerges, which reveals a paradoxical brew of extraordinarily disciplined efficiency and bureaucratic convolution. The same military that can project its forces thousands of miles also buys the lowest grade toilet paper in the world. Sometimes the reader might grow frustrated by the lack of operational details regarding Campau’s profession; he dispenses pithys hint here and there, which both whets and teases one’s appetite for more. Also, the humor has both its highs and lows and can devolve into the juvenile. But Campau’s observational perspicacity and the often hilariously irreverent style of delivery should consistently keep the reader entertained. Also, there’s something touchingly human about the reliance upon lighthearted camaraderie to leaven the weight of living among danger and death day in and day out. Each of Campau’s characterizations reads like both a roast and homage, and his love for his team radiates from every page.

An insightful and comedic look at military life in the theater of war.

Pub Date: March 1, 2016

ISBN: 978-0-9972979-0-4

Page Count: 272

Publisher: CreateSpace

Review Posted Online: March 23, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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