BRAND NEW CHERRY FLAVOR

Hardcover debut for avant-garde horror writer Grimson (Stainless, 1996), enjoyment of whose fancies leaves one thrilled, if feeling rather unclean. If anything, Grimson has intensified his Hollywood Rock- Gothic, ultra-neon, burning prose. Plot here is detail-cumulative, a twisting-on-a-dime, hairpin-turn mode in which each incident carries a supercharged light. Young avant-garde moviemaker Lisa Nova, whose surging thoughts about film reflect her impulsive, Mixmaster, kaleidoscopic imagination, wants to get in with horrormeister Selwyn Popcorn, 49, who has made some cult films she admires. But she's been savagely diddled by her older, married bedmate, Lou Greenwood, a top film executive, and been videoed doing something she now regrets (what, we never know). To get back at Lou, then, Lisa goes to Boro, a black witch doctor waited on by flesh-eating zombies out of The Night of the Living Dead, who puts a curse on Greenwood's whole family. The curse goes so haywire and excessive that Lou's vengeful widow is driven into some nasty magic of her own. Things get so hot for Lisa that she flies to Rio to visit her wizard-of-chemistry dad and sinks ever deeper into the occult. By the time she arrives back in L.A. (after trips to Manhattan and the Berlin film festival), she's been responsible for several deaths; and she gets tailed, and frequently grilled, by the LAPD. While in South America, she dropped some rare chemical her father had wrung from a vine and found herself able to transfer her dreams straight onto 16-mm film stock. These dream-films feature real murders that she has to pretend, after an enthusiastic Selwyn Popcorn screens them, are just very inventive special effects. Overlong, bends at its joinings, and isn't for everyone—but full of take-that, fist-in-your-face daring.

Pub Date: Nov. 1, 1996

ISBN: 0-06-105233-7

Page Count: 352

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1996

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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