Young audiences will join in the general applause, and they may come away with a broadened notion of what a “win” looks like...
Doodler concocts an updated—and considerably tweaked—version of “The Tortoise and the Hare.”
There’s no “slow and steady” here. Grimly determined to beat Shelly “Shell on Wheels” Turtle, for once, in the annual Pickleberry Grand Prix, Rod the dachshund sets out to design and build a homemade racer. With help from Goldie Goldfish and after many failed experiments, Rod roars to the starting line in a souped-up lawn mower (as previewed on the cover, wreathed in flames thanks to an embedded spinner) fitted with “an extra-special mystery button.” The race is on! In the thick-lined, very simple cartoons, an all-animal cast stands on hind legs (or fins) beside an array of race cars with clever monikers like Goldie’s “Fishbowler” and Charlie Chicken’s “Egg-Sterminator.” Roaring around the track, Rod and Shelly are neck and neck…until a patch of oil suddenly sends Shelly into a tailspin. Rather than let her crash, Rod pushes the mystery button—to activate an ejection seat—snags Shelly as he flies by, and carries her over the finish line to a shared triumph. In the last scene, he and his erstwhile rival (evidently a good sport) share the trophy as they wave from the winner’s stand.
Young audiences will join in the general applause, and they may come away with a broadened notion of what a “win” looks like too. (Picture book. 4-6)Pub Date: Aug. 2, 2016
ISBN: 978-1-4814-6607-3
Page Count: 40
Publisher: Little Simon/Simon & Schuster
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the...
In this deceptively spare, very beginning reader, a girl assembles a robot and then treats it like a slave until it goes on strike.
Having put the robot together from a jumble of loose parts, the budding engineer issues an increasingly peremptory series of rhymed orders— “Throw, Bot. / Row, Bot”—that turn from playful activities like chasing bubbles in the yard to tasks like hoeing the garden, mowing the lawn and towing her around in a wagon. Jung crafts a robot with riveted edges, big googly eyes and a smile that turns down in stages to a scowl as the work is piled on. At last, the exhausted robot plops itself down, then in response to its tormentor’s angry “Don’t say no, Bot!” stomps off in a huff. In one to four spacious, sequential panels per spread, Jung develops both the plotline and the emotional conflict using smoothly modeled cartoon figures against monochromatic or minimally detailed backgrounds. The child’s commands, confined in small dialogue balloons, are rhymed until her repentant “Come on home, Bot” breaks the pattern but leads to a more equitable division of labor at the end.
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the rest. (Easy reader. 4-6)Pub Date: June 25, 2013
ISBN: 978-0-375-87083-5
Page Count: 32
Publisher: Random House
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
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