A deeply impressionistic, compelling novel about a young girl’s life in the waning days of the British Empire.

Shades of Africa


A photo album in prose about the brutality of life in British South Africa.

Loshe’s debut novel offers glimpses into the unrelentingly sad and violent life of Shirley Schreiber in the British South African territories in the mid-20th century (now Zambia, Zimbabwe, and South Africa). Shirley and her siblings are raised by her mother and a brutish drunk of a father who drags them from Durban to Port Elizabeth to the Transvaal and points north in search of work and, later, safety. Businesses are festooned with signs reading “Nee blanks nee” (Afrikaans for “Nonwhites No”), and the sound of tribal drumming fills the air. As the narrator, Shirley remembers and vividly recounts the almost incomprehensible cruelty of the men around her: her father bloodies her brother and mother, a close relative rapes Shirley herself, and revolutionaries behead a gentle servant and burn a woman to death in her car. The man she marries when she comes of age attempts to murder her twice, then threatens to kill their children. Halfway through the story, just as readers assume things can’t get any worse, they’re warned that “the terrifying ordeals that we had survived had only been the beginning.” This is not merely a collection of horror stories, however: Shirley loves the wilderness, enjoys sweet moments with her mother and sister, and feels joy. But because so much of what happens is narrated from a young girl’s point of view, these scenes carry a strange, varying weight: through a small child’s eyes, bouts of sickness and “Soft, yellow, baby chickens” assume the same narrative importance as rapes and beheadings. As a result, this is a novel of subjective reportage, not objective analysis. Still, though readers may not know why or even when events are happening, they’re always presented with vivid pictures of what is happening. Readers won’t be able to stop reading in order to learn more about this bad, vanished world.

A deeply impressionistic, compelling novel about a young girl’s life in the waning days of the British Empire. 

Pub Date: March 21, 2015

ISBN: 978-1-5035-0365-6

Page Count: 236

Publisher: Xlibris

Review Posted Online: July 1, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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