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BLACK ≠ INFERIOR

A passionate, inspiring collection that will especially speak to Black readers around the world.

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A Nigerian poet reacts to the racism and despair he sees in today’s world.

“Black Voices,” “Black Excellence,” and, of course, “Black Lives Matter” are the titles of some of Akinyemi’s first poems in his collection. Born in Nigeria and currently residing in Britain, the author lays out his raw emotions in responding to the stories of oppression and injustice that have recently gripped the global media. His verses are often addressed to other Black people, celebrating their tenacity in calling out racism and reminding them to not discount themselves. At the same time, he does not understate the powerful, systemic forces they face. Akinyemi also confronts White readers, demanding that they reexamine their own actions: “Don’t counter this with All lives matter!” he says to those against the Black Lives Matter movement. “Black Lives Matter isn’t a mantra for your lying lips.” And for those looking to gloss over the issue, he writes: “Don’t adorn me with the shenanigans of diversity…don’t turn my volume down–– / this black boy won’t be your poster boy.” The author’s most stirring poems come out of his perspective as a Nigerian, amplifying the global scale of the racism he sees. “They said African Time is killing Africa,” he writes of the stereotype that Africans are lazy. “But Africans have endured more killings than time can count.” The shorter second half of the collection widens the scope of its subject matter but remains both topical and tinged with anguish. Akinyemi writes of the need for better understandings of sexual consent and “a novel virus,” which has “swallowed all in sight.” Despite his fiery anger against injustice, discrimination, and other problems many face, the author’s poems also deftly deliver moments of hope through his faith in God and, most importantly, by returning to the theme that his Black readers must remember their own beauty and strength: “I wish you can see the uniqueness of your black skin, / its glory shining like a dark armour.”

A passionate, inspiring collection that will especially speak to Black readers around the world.

Pub Date: Jan. 1, 2021

ISBN: 978-1-913636-06-7

Page Count: 67

Publisher: The Roaring Lion Newcastle

Review Posted Online: Nov. 13, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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HOW TO FIGHT ANTI-SEMITISM

A forceful, necessarily provocative call to action for the preservation and protection of American Jewish freedom.

Known for her often contentious perspectives, New York Times opinion writer Weiss battles societal Jewish intolerance through lucid prose and a linear playbook of remedies.

While she was vividly aware of anti-Semitism throughout her life, the reality of the problem hit home when an active shooter stormed a Pittsburgh synagogue where her family regularly met for morning services and where she became a bat mitzvah years earlier. The massacre that ensued there further spurred her outrage and passionate activism. She writes that European Jews face a three-pronged threat in contemporary society, where physical, moral, and political fears of mounting violence are putting their general safety in jeopardy. She believes that Americans live in an era when “the lunatic fringe has gone mainstream” and Jews have been forced to become “a people apart.” With palpable frustration, she adroitly assesses the origins of anti-Semitism and how its prevalence is increasing through more discreet portals such as internet self-radicalization. Furthermore, the erosion of civility and tolerance and the demonization of minorities continue via the “casual racism” of political figures like Donald Trump. Following densely political discourses on Zionism and radical Islam, the author offers a list of bullet-point solutions focused on using behavioral and personal action items—individual accountability, active involvement, building community, loving neighbors, etc.—to help stem the tide of anti-Semitism. Weiss sounds a clarion call to Jewish readers who share her growing angst as well as non-Jewish Americans who wish to arm themselves with the knowledge and intellectual tools to combat marginalization and defuse and disavow trends of dehumanizing behavior. “Call it out,” she writes. “Especially when it’s hard.” At the core of the text is the author’s concern for the health and safety of American citizens, and she encourages anyone “who loves freedom and seeks to protect it” to join with her in vigorous activism.

A forceful, necessarily provocative call to action for the preservation and protection of American Jewish freedom.

Pub Date: Sept. 10, 2019

ISBN: 978-0-593-13605-8

Page Count: 224

Publisher: Crown

Review Posted Online: Aug. 22, 2019

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ORDINARY NOTES

An exquisitely original celebration of American Blackness.

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A potent series of “notes” paints a multidimensional picture of Blackness in America.

Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.

An exquisitely original celebration of American Blackness.

Pub Date: April 25, 2023

ISBN: 9780374604486

Page Count: 392

Publisher: Farrar, Straus and Giroux

Review Posted Online: Jan. 18, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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