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HORTON HALFPOTT

OR, THE FIENDISH MYSTERY OF SMUGWICK MANOR; OR, THE LOOSENING OF M'LADY LUGGERTUCK'S CORSET

A positively gleeful historical mystery farce. Trouble really begins around Smugwick Manor, ancestral home of the Luggertucks and current resting place of the Luggertuck Lump (world's largest and ugliest diamond), when M'Lady Luggertuck instructs her lady's maid, Crotty, to loosen her corset a bit. What follows is a general loosening all around. Usually this wouldn't affect Horton Halfpott, lowliest of kitchenboys, since he doesn't like breaking rules (a good thing, since the business end of Miss Neversly's cooking spoon is known to impart lethal corrections, and he meets it often enough even when he doesn't break rules). When the newly loosened M'Lady plans a costume ball to make a match for her snooze-inducing nephew Montgomery to the comely and amazingly well-off Celia Sylvan-Smythe, events are set in motion that involve a missing Lump, Shipless Pirates, M'Lady's evil weasel of a son, Luther, and, of course, our hero Horton. Is he up for some derring-do? Angleberger's second (The Strange Case of Origami Yoda, 2010) is a satirical homage to Dickens by way of Pratchett and Snicket. Short chapters, a fast pace and plenty of linguistic and slapstistic humor will have young readers hoping that a sequel is planned. The scribbly pen-and-ink chapter-heading cartoon illustrations are just icing on the cake—or pickle éclair. A romp from start to finish. (Humor. 8-14)

Pub Date: May 1, 2011

ISBN: 978-0-8109-9715-8

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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THE SINGING ROCK & OTHER BRAND-NEW FAIRY TALES

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...

The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.

Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)

Pub Date: June 18, 2019

ISBN: 978-1-59643-750-0

Page Count: 112

Publisher: First Second

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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WORDS WITH WINGS

An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)

In this delightfully spare narrative in verse, Coretta Scott King Award–winning Grimes examines a marriage’s end from the perspective of a child.

Set mostly in the wake of her father’s departure, only-child Gabby reveals with moving clarity in these short first-person poems the hardship she faces relocating with her mother and negotiating the further loss of a good friend while trying to adjust to a new school. Gabby has always been something of a dreamer, but when she begins study in her new class, she finds her thoughts straying even more. She admits: “Some words / sit still on the page / holding a story steady. / … / But other words have wings / that wake my daydreams. / They … / tickle my imagination, / and carry my thoughts away.” To illustrate Gabby’s inner wanderings, Grimes’ narrative breaks from the present into episodic bursts of vivid poetic reminiscence. Luckily, Gabby’s new teacher recognizes this inability to focus to be a coping mechanism and devises a daily activity designed to harness daydreaming’s creativity with a remarkably positive result for both Gabby and the entire class. Throughout this finely wrought narrative, Grimes’ free verse is tight, with perfect breaks of line and effortless shifts from reality to dream states and back.

An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)

Pub Date: Sept. 1, 2013

ISBN: 978-1-59078-985-8

Page Count: 96

Publisher: Wordsong/Boyds Mills

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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