Not the slam-dunk it might have been, but a worthwhile sophomore entry in a promising action franchise.

NO SURVIVORS

A stone-cold killer returns from the dead to stop a plot to launch a holy war.

Pseudonymous British author Cain (The Accident Man, 2008) resurrects hit man Samuel Carver for another gritty adventure. As the novel opens, Carver is still recovering in a Swiss hospital, his mind splintered by torture. Struggling to pay for his care, his lover Alix Petrova reluctantly accepts a new assignment from Olga Zhukovskaya, her former handler in Russia’s intelligence service. Petrova’s mission: to cozy up to a renegade American soldier, Lt. General Kurt Vermulen, determined to defend his country from Islamic jihadists—at any price. She discovers Vermulen is key to a scheme financed by dying Texas oil baron and psychotic religious convert Waylon McCabe, who barely survived a plane crash orchestrated by Carver five years ago. The cabal’s goal is to incite a global war between Christianity and Islam by dropping a nuclear weapon on Temple Mount in Jerusalem. The sequel’s commencement is a little sluggish, mostly because it takes Petrova’s absence to shock Carver into motion and nearly a quarter of the book to concoct Cain’s multifaceted conspiracy. The theatrical villains are a trifle over the top too, but Cain remains particularly adept at writing post-Bourne action sequences, and Carver is a first-rate action hero. Once the icy killer is jolted back to life, the story takes off rapidly with an aborted assassination attempt in Carver’s hospital room, a grueling training sequence in Norway and a healthy dose of spycraft as Carver and Petrova maneuver their way toward the conspiracy’s inner circle. Throw in a nail-biting stealth mission to secure the codes to the stolen suitcase bombs and an 11th-hour airborne endeavor to prevent Armageddon and the book makes for one hell of a weekend’s worth of entertainment.

Not the slam-dunk it might have been, but a worthwhile sophomore entry in a promising action franchise.

Pub Date: March 9, 2009

ISBN: 978-0-670-02049-2

Page Count: 352

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 2009

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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THE A LIST

A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: March 1, 2019

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