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GODS AT PLAY

AN EYEWITNESS ACCOUNT OF GREAT MOMENTS IN AMERICAN SPORTS

Sports fans will find a smooth and pleasant ride on this trip back in time.

A heavily credentialed and well-traveled sportswriter spins yarns about the old ballgames.

Golf. Tennis. Boxing. Baseball. Basketball. Kareem Abdul-Jabbar. Larry Bird. Bill Walton. Arthur Ashe. Jackie Robinson. Roberto Clemente. Pete Rose and the rest of the Big Red Machine. Newspaperman and magazine profiler Callahan rounds the bases as he chronicles his close encounters with many of the most prominent athletes of the last half-century. Fans of the author will recognize the meandering yet readable storytelling style and some of the same characters from The Bases Were Loaded (And So Was I). A young Callahan commiserated with an elder Red Smith; at their best, these pieces recall that legend of the press box’s outside-the-lines approach, if not exactly his unassuming mien on the page. Certainly, this part-memoir, part-profile compilation reflects a time before social media, when athletes needed sportswriters. The underside of close, personal access is that writers who ingratiate themselves with sources sometimes cut deals about what makes it into print, which could raise questions about motive and veracity. The narrative spell is also periodically broken when Callahan includes long, sometimes-tinny quotes from athletes. Still, just as the best sportswriters put a topcoat on memory, allowing us to appreciate the plays and players more than when we first saw them, the author’s skill at showing public figures in private moments is evident, and he spares readers the usual arguments about who was the greatest to lace up a pair of sneakers. Particularly intriguing are Callahan’s portraits of Bill Walsh and Tiger Woods. In 2018, writes the author, “the new Tiger was a better guy. Standing on the practice green or striding down the fairway, he actually chatted with golf’s brigade of good young players who, almost to a man, had been drawn to the game by him.”

Sports fans will find a smooth and pleasant ride on this trip back in time.

Pub Date: Sept. 22, 2020

ISBN: 978-1-324-00427-1

Page Count: 304

Publisher: Norton

Review Posted Online: May 17, 2020

Kirkus Reviews Issue: June 1, 2020

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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