A smartly restrained and persistently witty crime tale even at its grimmest.



For a British journalist, maintaining a career and financial stability can be murder—and may even call for it—in this thriller.

Though Martin’s two years older than Financial Review co-worker Tom de Lacy, it’s the latter who gets the coveted industrial correspondent’s job. The magazine’s editor effectively demotes Martin, who’s married with twin daughters, to subeditor, where he resents Tom and discreetly sabotages his copy. As Tom’s career soars, including a gig as a TV reporter, Martin takes a personal and professional nose dive, eventually becoming unemployed with his wife and children gone. The news gets worse: Martin’s terminally ill father, Simon, has changed his will, giving his house and half his estate to his younger brother, Walter, who’s just returned after inexplicably disappearing years ago. Desperate for money, Martin convinces Caroline, one of his two sisters, that enlisting a heavy to scare Uncle Walter out of the house is a good idea. Shortly thereafter, Martin hits a wave of good fortune, starting behind the scenes on a TV show and winding up in front of the camera. But hired heavy Jebb complicates matters by becoming smitten with Caroline. Martin’s potentially hot new story involving a pharmaceutical company, meanwhile, has ties to a recent murder—and he certainly doesn’t want authorities digging anywhere near him. Claver’s (Hider/Seeker, 2015) story is quietly chaotic, a series of events unfolding organically. Martin, for example, handles one problem at a time, such as his inability to get a hold of Jebb to verify that he’s only strong-arming Walter. Likewise, Martin’s solid under pressure and often funny. When Jebb hears Caroline’s voice over the phone, after Martin says she’s out of the country, the journalist tells him: “No, it’s my other sister, the ugly one.” Martin’s brisk, generally wry first-person narrative makes him an easy protagonist to root for, regardless of his questionable acts, while Tom, quite frankly, deserves the protagonist’s rancor. The somewhat ambiguous ending is striking, a lasting impression revealing what’s most important to Martin.

A smartly restrained and persistently witty crime tale even at its grimmest.

Pub Date: Oct. 28, 2017


Page Count: 378

Publisher: Matador

Review Posted Online: Aug. 3, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed...

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Trying his final case at 85, celebrated criminal defense lawyer Sandy Stern defends a Nobel-winning doctor and longtime friend whose cancer wonder drug saved Stern's life but subsequently led to the deaths of others.

Federal prosecutors are charging the eminent doctor, Kiril Pafko, with murder, fraud, and insider trading. An Argentine émigré like Stern, Pafko is no angel. His counselor is certain he sold stock in the company that produced the drug, g-Livia, before users' deaths were reported. The 78-year-old Nobelist is a serial adulterer whose former and current lovers have strong ties to the case. Working for one final time alongside his daughter and proficient legal partner, Marta, who has announced she will close the firm and retire along with her father following the case, Stern must deal not only with "senior moments" before Chief Judge Sonya "Sonny" Klonsky, but also his physical frailty. While taking a deep dive into the ups and downs of a complicated big-time trial, Turow (Testimony, 2017, etc.) crafts a love letter to his profession through his elegiac appreciation of Stern, who has appeared in all his Kindle County novels. The grandly mannered attorney (his favorite response is "Just so") has dedicated himself to the law at great personal cost. But had he not spent so much of his life inside courtrooms, "He never would have known himself." With its bland prosecutors, frequent focus on technical details like "double-blind clinical trials," and lack of real surprises, the novel likely will disappoint some fans of legal thrillers. But this smoothly efficient book gains timely depth through its discussion of thorny moral issues raised by a drug that can extend a cancer sufferer's life expectancy at the risk of suddenly ending it.

A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed Innocent.

Pub Date: May 12, 2020

ISBN: 978-1-5387-4813-8

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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