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BOXES

THE TRAPPINGS OF SOCIETY AND RELATIONSHIPS

A lively but overly complex story about the lives and loves of some unfulfilled Philadelphians.

A bored technical writer in an unhappy marriage tries to disappear, but his father-in-law has a private investigator hot on his trail in this debut novel.

Tim Adams used to be a PR executive at Courtland Chemical Industries. But after attempting to expose CEO Richard King’s malfeasance, Tim was relegated to the tedious world of the technical writing department. He does not love his new role (“Working at Courtland Chemical Industries was as toxic as the deadly substances he wrote about”), and to make matters worse, the obnoxious new PR guy mercilessly taunts Tim about his demotion. Things are no better at home, where Tim’s wife, Angelica, is as miserable in the marriage as he is. He married into a tough-as-nails Italian American family in Philadelphia that’s headed by patriarch Luciano Dante, owner of the storied restaurant Dante’s Italia. Luciano isn’t happy with Tim either. He wants Angelica to take over the business upon his retirement, but she has no interest in doing the work required, and Luciano feels things would be easier with Tim out of the way. Just as Tim is taking out personal ads under the pseudonym Adonis, Luciano hires a private detective, hoping to catch his son-in-law having an affair. As it happens, Tim is planning to leave town with one of his children and vanish, but he ends up being followed by not just the PI, but also by federal officials. In his zeal to assume a new identity, his counterfeiters made him an unwitting credit-card fraud mule, and Tim’s disappearing act has made him a prime target. What seemed like a meticulously planned trip into the unknown has now turned into a high-wire act that puts his future in serious jeopardy. DeSanto’s briskly told story has vivid elements of family drama and mystery, snappy dialogue, and a variety of interconnected plot points. Though it is clear that Tim’s tale is the central one in the novel, some of the storylines are unnecessary or lead to overcomplication (the problems at Courtland Chemical alone, for example, are enough to sustain the book). As it is, though, the family issues and Tim’s escape have terrific details and believable characters, and the addition of a little cloak-and-dagger action makes the tale even more compelling.

A lively but overly complex story about the lives and loves of some unfulfilled Philadelphians.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Manuscript

Review Posted Online: Jan. 8, 2020

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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