An engaging and endearing story of what it is to find your place in the world and a person to share it with.
Two teens on the cusp of adulthood find love in this British import.
Hannah and Sam have both finished their exams and are looking forward to spending their last summer before university with friends and pursuing the opposite sex. Hannah aims to lose her virginity with Freddie, an acceptably handsome classmate. Sam has spent the last year investing in a relationship that’s gone bust. Sam doesn't really know what to expect when his friends drag him to a party to celebrate the end of their exams. This party is where Hannah plans to hook up with Freddie, but circumstance puts Sam and Hannah in the same room, and thus begins a cumbersome courtship. In alternating first-person narration, the two move in and out of each other's lives for the next few months, the authors taking great delight in bringing them together only to pull them apart again. Hannah's perspective gives the book an emotional backbone with her evolving relationships with her circle of friends. Sam's provides most of the novel's humor, with welcome respites from Hannah's emotionally draining passages. The novel captures teen angst and lust, but it’s also funny, with some genuine laugh-out-loud moments. Both teens are white, judging by the amusing jacket art that sets the tone for the lightly Americanized text.
An engaging and endearing story of what it is to find your place in the world and a person to share it with. (Romance. 13-17)Pub Date: May 3, 2016
ISBN: 978-0-553-53732-1
Page Count: 320
Publisher: Delacorte
Review Posted Online: Feb. 1, 2016
Kirkus Reviews Issue: Feb. 15, 2016
BOOK REVIEW
BOOK REVIEW
Mouths have never run so dry at the idea of thirst.
When a calamitous drought overtakes southern California, a group of teens must struggle to keep their lives and their humanity in this father-son collaboration.
When the Tap-Out hits and the state’s entire water supply runs dry, 16-year-old Alyssa Morrow and her little brother, Garrett, ration their Gatorade and try to be optimistic. That is, until their parents disappear, leaving them completely alone. Their neighbor Kelton McCracken was born into a survivalist family, but what use is that when it’s his family he has to survive? Kelton is determined to help Alyssa and Garrett, but with desperation comes danger, and he must lead them and two volatile new acquaintances on a perilous trek to safety and water. Occasionally interrupted by “snapshots” of perspectives outside the main plot, the narrative’s intensity steadily rises as self-interest turns deadly and friends turn on each other. No one does doom like Neal Shusterman (Thunderhead, 2018, etc.)—the breathtakingly jagged brink of apocalypse is only overshadowed by the sense that his dystopias lie just below the surface of readers’ fragile reality, a few thoughtless actions away. He and his debut novelist son have crafted a world of dark thirst and fiery desperation, which, despite the tendrils of hope that thread through the conclusion, feels alarmingly near to our future. There is an absence of racial markers, leaving characters’ identities open.
Mouths have never run so dry at the idea of thirst. (Thriller. 13-17)Pub Date: Oct. 2, 2018
ISBN: 978-1-4814-8196-0
Page Count: 400
Publisher: Simon & Schuster
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway.
Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy.
After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, “personified slivers” of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik’s dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik’s full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik’s different personae is confusing. Most characters default to White; Patrick is Black.
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway. (Horror. 13-16)Pub Date: Aug. 17, 2021
ISBN: 978-0-593-11604-3
Page Count: 528
Publisher: Viking
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
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