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CARNIVAL OF DESTRUCTION

SHERMAN'S INVASION OF SOUTH CAROLINA

Comprehensive and densely detailed—too much so for general readers, but sure to please Civil War buffs.

Hyperfocused account of General Sherman’s swath of destruction through the hotbed of the Confederacy.

While Sherman’s advance on Atlanta and subsequent March to the Sea is well-known, less well-advertised is his slog to Columbia, S.C., where his troops perhaps inadvertently but unapologetically burned down the town in what proved to be a spectacularly successful effort to demoralize the enemy. South Carolina native and historian Elmore (Columbia Civil War Landmarks, 2011) has thoroughly scoured the archives regarding these decisive few months of the Civil War, beginning in the fall of 1864, when Sherman continued his infiltration of enemy territory after the fall of Atlanta, marching to the sea in a display to “make Georgia howl,” all the while foraging liberally from the land, avoiding Confederate lures into battle and keeping the Rebel army guessing where he would strike next, Charleston or Columbia. Elmore evenhandedly reports on both sides of the conflict—e.g., he ably shows how Sherman continually instructed his confident troops in the art of foraging, which may strike modern ears as remarkably respectful in a time of war, yet he was also not averse to turning a blind eye to the federals’ urge for taking revenge on the “traitor state.” Sherman moved with astonishingly little resistance through the swampy land, turning railroad ties into “Sherman hairpins” and ravaging the countryside, keeping an eye on the prize: Columbia, the manufacturing and rail hub of the Confederacy. Abandoned by the Rebels, the defenseless city was taken and set ablaze on February 17, 1865; cheering blacks lined the streets to welcome the conquerors with plenty of liquor and food. Elmore also provides extensive appendices, including a chronology of events, organization of opposing forces and a short essay, “Did Sherman wish to spare Charleston?”

Comprehensive and densely detailed—too much so for general readers, but sure to please Civil War buffs.

Pub Date: Sept. 4, 2012

ISBN: 978-0-9841073-7-7

Page Count: 624

Publisher: Joggling Board Press

Review Posted Online: July 3, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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