A remarkable memoir by a remarkable artist.
The memoir of the resilient career of a singer who knows how closely he succumbed to self-parody.
Jones knows how most people think of him: “Tom Jones: panty magnet.” With a tone that suggests that he never takes himself too seriously but knows that he deserves to be taken more seriously as an artist, he relates how the ritual started with one uninhibited female fan and how he instinctively wiped the sweat from his brow and handed them back to her. Thus began a ritual that would become more the focus of a Tom Jones show than the music, with countless women bringing along an extra pair of underwear just to toss. From his days as the teenage son of a Welsh coal miner, Tommy Woodward—later “Twisting Tommy Scott” before settling on the stage name he would ride to fame—knew that he had a powerful voice and that there was an animal magnetism to his presence, though occasionally he found himself the prey of men who could do something for him but wanted something back. He was a huge fan of Jerry Lee Lewis (on whose album he first heard “Green, Green Grass of Home”) and thought Elvis Presley was comparatively contrived. But though he had the voice and soul of a rocker, his career path ended up taking him through the theater circuit and TV, with novelty numbers like, “What’s New Pussycat?” Though he’s not in the Rock and Roll Hall of Fame, he claims, “there’s more rock ’n’ roll in me than there is in 90%” of those in there. In attitude and anecdote, his engaging and illuminating book backs him up. Perhaps most impressive is the love story with the woman he married almost 60 years ago—after a teenage pregnancy—and the artistic command he has shown in recent years, since he stopped dyeing his hair and started paying more attention to the quality of his material than its pelvis-thrusting potential.
A remarkable memoir by a remarkable artist.Pub Date: Nov. 24, 2015
ISBN: 978-1-59240-961-7
Page Count: 336
Publisher: Blue Rider Press
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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