HAVOC

Bibulous readers might want to take the cure after following these hungover proceedings.

Forgotten modernist novel by Danish journalist/novelist Kristensen, who blends Dürrenmatt and Bukowski with a shot of Frank Norris in this moody, booze-soaked tale.

Ole Jastrau pretty much has it all: a good job in journalism, a “tall and buxom” wife, a decent family life. So why mess with it? Because, existentialism being what it is and all, it’s sometimes better to descend into hell than to serve in what passes for the heaven of Danish social democracy in the wake of World War I. Comes a bang on the door at electioneering season, and there stand a couple of grimy former comrades from his leftist past, one of whom paints him with a broad brush: “There’s nothing so irrational as the bourgeois mind.” Indeed, and the aperçu is all it takes to set Jastrau down the path of drunken self-indulgence that takes him into the no man’s land between madness and civilization, into “a Noah’s ark with bits of wreckage from his past and liquor and dancing people whom he didn’t know.” The descent is harrowing, but Kristensen would seem to have a larger purpose in making an allegory of soulless capitalism, where the answer to most questions is “earn some money,” and, as Jastrau grumbles, “A person can think whatever he wants to about aesthetics, ethics, and I don’t know what else. But if he has opinions that encroach on economics, then the freedom no longer applies.” Phrases such as “crude, swarthy, Negro fetish” and “Mongoloid features” are products of their time, doubtless, but one wonders whether the translator might better have smoothed them down. In all events, the book, originally published in 1930, seems largely a period piece, an expression of Dostoevskian self-loathing mixed up with heavy-handed cultural critique.

Bibulous readers might want to take the cure after following these hungover proceedings.

Pub Date: June 12, 2018

ISBN: 978-1-68137-207-5

Page Count: 528

Publisher: New York Review Books

Review Posted Online: April 2, 2018

Kirkus Reviews Issue: April 15, 2018

Awards & Accolades

Likes

  • Readers Vote
  • 11


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

THE GREAT ALONE

A tour de force.

Awards & Accolades

Likes

  • Readers Vote
  • 11


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Close Quickview