Forgive Paulin his transgressions. Taken as a whole, these meditations on the nature of Irish identity are sinuous and...

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THE WIND DOG

Over the years, Paulin has emerged from the thicket of contemporary Irish poets as an original and challenging voice. Like his compatriot Seamus Heaney, Paulin struggles with a sense of divided loyalties: born in Leeds, he grew up in Belfast, and now teaches English literature at Oxford. Here, he explores the tensions between Irish and English ideologies, accents, languages, limitations, and possibilities. Unlike Heaney, Paulin tends to mark these divisions through narratives about language rather than politics. Ghosts, living and dead—from Chagall to Verlaine, from Lucan to Larkin—haunt these pages, but of all these figures, James Joyce casts the longest shadow. Paulin’s improvisatory, allusive, pun-filled, occasionally baggy style owes much to the great novelist but is not always up to the comparison. When it works, his synthesizing technique achieves wonders: the long title poem, for instance, is woven around the image of the “wind dog,” a dialect phrase for “a wee broken bitta rainbow.” The off-kilter word illuminates suddenly the relationship between history and the creative powers of language, as when Paulin invokes William Tyndale (who translated the Bible into English in the 16th century and was burned at the stake for his pains). “[T]hey may have turned Tyndale into tinder,” he writes, “but the bow he wrought lives high / in this wet blue sky.” Elsewhere, Paulin’s elliptic prosody feels like navel-gazing. As he puts it in “Cuas,” “what interests me / is my own unease.” This can lead him to myopic, insufficiently ironic lines, like these in “Fortogiveness”: “and forgive me too that unlike Hugo / I’ve not been a freelance writer / for the last twenty or more years / but instead have held down a job.”

Forgive Paulin his transgressions. Taken as a whole, these meditations on the nature of Irish identity are sinuous and profound.

Pub Date: June 1, 2000

ISBN: 0-571-20168-7

Page Count: 86

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2000

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A strange, subtle, and haunting novel.

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THE GLASS HOTEL

A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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When a book has such great comic timing, it's easy to finish the story in one sitting.

THE HONEY-DON'T LIST

A toxic workplace nurtures an intoxicating romance in Lauren’s (The Unhoneymooners, 2019, etc.) latest.

Rusty and Melissa Tripp are the married co-hosts of a successful home-makeover show and have even published a book on marriage. After catching Rusty cheating on Melissa, their assistants, James McCann and Carey Duncan, are forced to give up long-scheduled vacations to go along on their employers' book tour to make sure their marriage doesn’t implode. And the awkwardness is just getting started. Stuck in close quarters with no one to complain to but each other, James and Carey find that the life they dreamed of having might be found at work after all. James learns that Carey has worked for the Tripps since they owned a humble home décor shop in Jackson, Wyoming. Now that the couple is successful, Carey has no time for herself, and she doesn’t get nearly enough credit for her creative contribution to their media empire. Carey also has regular doctor’s appointments for dystonia, a movement disorder, which motivates her to keep her job but doesn’t stop her from doing it well. James was hired to work on engineering and design for the show, but Rusty treats him like his personal assistant. He’d quit, too, but it’s the only job he can get since his former employer was shut down in a scandal. Using a framing device similar to that of Liane Moriarty’s Big Little Lies, the story flashes forward to interview transcripts with the police that hint at a dramatic ending to come, and the chapters often end with gossip in the form of online comments, adding intrigue. Bonding over bad bosses allows James and Carey to stick up for each other while supplying readers with all the drama and wit of the enemies-to-lovers trope.

When a book has such great comic timing, it's easy to finish the story in one sitting.

Pub Date: March 24, 2020

ISBN: 978-1-9821-3864-6

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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