An engaging read for sci-fi and zombie fans.

READ REVIEW

THE BOREALIS GENOME

Wise and Wise’s debut novel delivers a science-fiction tale of zombies and cloning in modern-day Pennsylvania.

Tim and Nora, a newly engaged couple, see news stories chronicling several gruesome killings by zombie-like attackers in Philadelphia. Nora urges Tim, who works for the Centers for Disease Control, to use his experience and credentials to find out more about the virus that’s causing the zombies’ symptoms. Its source turns out to be a company called the Environmental Conscience, headed by Mr. Oldham, an aging genius who wants to live forever.  The company’s head scientist, Dr. Denat, has created a computer program called SALI (“synthetic algorithm for life inscription”) that allows the consciousness of high-paying clients to be “downloaded” into a clone’s brain—a way of ensuring that people’s memories will not die with them. However, the new, cloned hosts become infected with a virus that suppresses their self-awareness, which causes them to transform into violent zombies. As a result, Oldham decides to use Tommy, an inquisitive, non-cloned boy (who happens to be Denat’s son) to be his host as his health wanes. Tim and Nora, meanwhile, fight to stop the growing zombie army and the evil SALI supercomputer, and this ambitious story brings several plot lines and characters together for a gripping climax. Although the novel sometimes gives undue emphasis to relatively minor plot points, it gains momentum and precision as it progresses, and its descriptions are often spot-on (“One wandering finger traced the dark, ragged, meandering rivers that flowed through white marble tabletop…He imagined following them to some dark, lonely place in a vast rain forest.”). It also provides the gore that readers expect in a zombie novel without ever going over the top. Overall, the Wises offer readers a solid tale of intrigue that also explores humanity’s greed for knowledge, money and immortality.

An engaging read for sci-fi and zombie fans. 

Pub Date: May 30, 2013

ISBN: 978-1481758895

Page Count: 332

Publisher: AuthorHouse

Review Posted Online: Aug. 16, 2013

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Suspenseful, full of incident, and not obviously necessary.

THE TESTAMENTS

Atwood goes back to Gilead.

The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.

Suspenseful, full of incident, and not obviously necessary.

Pub Date: Sept. 10, 2019

ISBN: 978-0-385-54378-1

Page Count: 432

Publisher: Nan A. Talese

Review Posted Online: Sept. 4, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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