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TOMIE DePAOLA'S BOOK OF BIBLE STORIES

A selection of the best. known stories from the Creation to the Resurrection, nicely rounded by concluding with 1 Corinthians 13 and a psalm of praise. DePaola uses an accessible new translation, the New International Version (c1973-1984) without abridgement—an excellent choice fox introducing these favorite texts to young children. The illustrations, in dePaola's usual rhythmic, decorative style, have even more grace and simplicity than usual, the absence of detail leaving imaginations unfettered by trivia. The artist avoids the most harrowing moments: Abraham has already turned to the angel who stops him from slaying his son; the Crucifixion is seen at a distance, and from the back. Adam and Eve are posed with extraordinary modesty. Curiously, Joseph is omitted altogether. A great many of dePaola's characters continue to walk around with their eyes closed. Still, a handsome volume that will be welcome in homes, churches, and schools. Index to Bible texts.

Pub Date: Sept. 27, 1990

ISBN: 0-399-21690-1

Page Count: 128

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1990

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MOMMY'S KHIMAR

With a universal message of love and community, this book offers a beautiful representation of a too-often-overlooked...

From a debut author-and-illustrator team comes a glimpse into a young American Muslim girl’s family and community as she walks around in “Mommy’s khimar,” or headscarf.

The star of this sunny picture book is a young girl who finds joy in wearing her mother’s khimar, imagining it transforms her into a queen, a star, a mama bird, a superhero. At the core of the story is the love between the girl and her mother. The family appears to be African-American, with brown skin and textured hair. The girl’s braids and twists “form a bumpy crown” under the khimar, which smells of coconut oil and cocoa butter. Adults in her life delight in her appearance in the bright yellow khimar, including her Arabic teacher at the mosque, who calls it a “hijab,” and her grandmother, who visits after Sunday service and calls out “Sweet Jesus!” as she scoops her granddaughter into her arms. Her grandmother is, apparently, a Christian, but “We are a family and we love each other just the same.” The illustrations feature soft pastel colors with dynamic lines and gently patterned backgrounds that complement the story’s joyful tone. The words are often lyrical, and the story artfully includes many cultural details that will delight readers who share the cheerful protagonist’s culture and enlighten readers who don’t.

With a universal message of love and community, this book offers a beautiful representation of a too-often-overlooked cultural group . (Picture book. 4-8)

Pub Date: April 3, 2018

ISBN: 978-1-5344-0059-7

Page Count: 40

Publisher: Salaam Reads/Simon & Schuster

Review Posted Online: Feb. 2, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE LION, THE WITCH AND THE WARDROBE

From the Chronicles of Narnia series , Vol. 1

Although metaphysical rumblings may disturb adults, this wily symbolism-studded fantasy should appeal to children of an imaginative turn. While exploring an old English mansion, the four children—Peter, Susan, Edmund and Lucy—discover through passing into a wardrobe, the strange land of Narnia, where it is winter without ever becoming Christmas. The children soon are swept up in the terror of the rule of the White Witch, fighting with the other subjects—all animals—and the glorious Lion, Asian, who brings spring and hope with him. In spite of the White Witch's terrific enslavement of Edmund, her horrid power, which changes living things to stone, and the sacrificial death of Aslan, the forces of light win, the children are made kings and queens, and Asian returns to life. The plot thickens to a pretty heavy pudding at the end, but the prose is witty and the novel action is fast-moving. Not recommended for adults!

Pub Date: Nov. 6, 1950

ISBN: 978-0-06-171505-1

Page Count: -

Publisher: Macmillan

Review Posted Online: April 9, 2012

Kirkus Reviews Issue: Nov. 1, 1950

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