A cinematic, edge-of-your-seat thriller.
Two Moroccan Dutch women are drawn into a deadly game when they engage the chaperoning services of a compatriot while on holiday in Rabat.
Tired of her monotonous life as a call-center worker in Rotterdam, Ilham Assouline decides a vacation in Morocco is just what she needs. Borrowing her sister’s passport since she doesn't have one of her own, Ilham convinces her friend Thouraya to come along. The two rent an Audi to get them around, but while the young women might have found Rotterdam stifling, the land of their ancestors provides no relief. Realizing that women in Morocco rarely travel alone, they engage the services of Saleh Benkassem, a fellow Moroccan Dutchman, to shield them from unsavory attention. Unfortunately, Saleh, who has made a life in the shadows, exploits the women’s vulnerability to his advantage. He introduces Ilham and Thouraya to a cripplingly poor family who want a better life for their son, Murat Idrissi. The women have a car, don’t they? Surely they can smuggle the young man through to Europe! Saleh assures Ilham and Thouraya that they will be paid for this service. Hesitant at first, Ilham is plagued by guilt over the family’s poverty. She and Thouraya eventually give in. But no good deed goes unpunished, and soon the women are in over their heads. Fluidly translated from Dutch and brilliantly paced, this slim novel delivers a high-voltage adrenaline rush while expertly weaving in commentary about displaced world citizens. The irony of their lives being circumscribed in different ways in both Rotterdam and Morocco is not lost on Ilham and Thouraya. In an expert twist, Thouraya uses precisely those constraints to the women’s advantage.
A cinematic, edge-of-your-seat thriller.Pub Date: Jan. 5, 2021
ISBN: 978-1-950354-36-8
Page Count: 112
Publisher: Scribe
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
BOOK REVIEW
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.
The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.
When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.Pub Date: April 9, 2024
ISBN: 9781668010440
Page Count: 368
Publisher: Marysue Rucci Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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