A loving survey of an artist’s varied career.
Editor Tonia Shimin assembles essays and images that span the rich career of her late father, the painter Symeon Shimin.
The book’s opening section is a brief autobiographical essay that Symeon Shimin wrote before his death in 1984. In it, he spends little time on the subject of painting, focusing instead on his family life. He was born in Astrakhan, Russia, in 1902 and wanted to be a musician as a child; he idolized his uncle Eli, who was a composer. In 1912, the family moved to New York City. As he pursued his art, representational drawing came to him easily, and his first studies were on paper bags from his father’s new delicatessen. The second essay, by critic Josef Woodard, provides a fine portrait of Shimin’s artistic life and takes time to appreciate the artist’s illustrations for movie posters and children’s books. But to Woodard, these finely executed projects prevented Shimin from pursuing more worthwhile works like his Contemporary Justice and the Child, “a landmark mural” in the U.S. Department of Justice building. In the final essay, arts journalist Charles Donelan fastidiously moves through Shimin’s oeuvre, presenting a notion of the artist as a “passionate observer” and “humanist” whose representational paintings were underappreciated when abstract works dominated art markets. Together, the three essays achieve an edifying balance with Shimin’s intimate reflection, Woodard’s steady survey, and Donelan’s academic appreciation. The rest of the book consists of reproductions, ably arranged to showcase Shimin's virtuosity and beautifully highlight his career-spanning fascination with the human form. The reprints of studies for Contemporary Justice are a highlight, revealing the minute strokes of brilliance that contributed to a coherent whole. A glowing reprint of Shimin’s later painting The Pack shows the artist’s knack for chaotic ensemble, as does Discussion Group (I), reprinted across two facing pages. In her acknowledgments, Tonia Shimin says that she intended the book as a “tribute to the work of my father”; it is, and it also underscores the skills of its editor.
A loving survey of an artist’s varied career.Pub Date: Nov. 1, 2019
ISBN: 978-0-9990342-2-4
Page Count: 156
Publisher: Mercury Press International
Review Posted Online: June 23, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A wide-ranging collection of testaments to what moves the heart.
Black Americans declare their love.
This anthology brings together dozens of love letters by prominent Black Americans. The entries, interspersed with illustrations, address an eclectic mix of topics arranged under five categories: Care, Awe, Loss, Ambivalence, and Transformation. In their introduction, editors Brown and Johnson note the book’s inspiration in the witnessing of violence directed at Black America. Reckonings with outrage and grief, they explain, remain an urgent task and a precondition of creating and sustaining loving bonds. The editors seek to create “a site for our people to come together on the deepest, strongest emotion we share” and thus open “the possibility for shared deliverance” and “carve out a space for healing, together.” This aim is powerfully realized in many of the letters, which offer often poignant portrayals of where redemptive love has and might yet be found. Among the most memorable are Joy Reid’s “A Love Letter to My Hair,” a sensitive articulation of a hard-won sense of self-love; Morgan Jerkins’ “Dear Egypt,” an exploration of a lifelong passion for an ancient world; and VJ Jenkins’ “Pops and Dad,” an affirmation that it “is beautiful to be Black, to be a man, and to be gay.” Tracey Michae’l Lewis-Giggetts’ “Home: A Reckoning” is particularly thoughtful and incisive in its examination of a profound attachment, “in the best and worst ways,” to Louisville, Kentucky. Most of the pieces pair personal recollections with incisive cultural commentary. The cumulative effect of these letters is to set forth a panorama of opportunities for maintaining the ties that matter most, especially in the face of a cultural milieu that continues to produce virulent forms of love’s opposite. Other contributors include Nadia Owusu, Jamila Woods, Ben Crump, Eric Michael Dyson, Kwame Dawes, Jenna Wortham, and Imani Perry.
A wide-ranging collection of testaments to what moves the heart.Pub Date: Oct. 24, 2023
ISBN: 9781638931201
Page Count: 240
Publisher: Get Lifted Books/Zando
Review Posted Online: June 29, 2023
Kirkus Reviews Issue: Aug. 1, 2023
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
