A loving survey of an artist’s varied career.
Editor Tonia Shimin assembles essays and images that span the rich career of her late father, the painter Symeon Shimin.
The book’s opening section is a brief autobiographical essay that Symeon Shimin wrote before his death in 1984. In it, he spends little time on the subject of painting, focusing instead on his family life. He was born in Astrakhan, Russia, in 1902 and wanted to be a musician as a child; he idolized his uncle Eli, who was a composer. In 1912, the family moved to New York City. As he pursued his art, representational drawing came to him easily, and his first studies were on paper bags from his father’s new delicatessen. The second essay, by critic Josef Woodard, provides a fine portrait of Shimin’s artistic life and takes time to appreciate the artist’s illustrations for movie posters and children’s books. But to Woodard, these finely executed projects prevented Shimin from pursuing more worthwhile works like his Contemporary Justice and the Child, “a landmark mural” in the U.S. Department of Justice building. In the final essay, arts journalist Charles Donelan fastidiously moves through Shimin’s oeuvre, presenting a notion of the artist as a “passionate observer” and “humanist” whose representational paintings were underappreciated when abstract works dominated art markets. Together, the three essays achieve an edifying balance with Shimin’s intimate reflection, Woodard’s steady survey, and Donelan’s academic appreciation. The rest of the book consists of reproductions, ably arranged to showcase Shimin's virtuosity and beautifully highlight his career-spanning fascination with the human form. The reprints of studies for Contemporary Justice are a highlight, revealing the minute strokes of brilliance that contributed to a coherent whole. A glowing reprint of Shimin’s later painting The Pack shows the artist’s knack for chaotic ensemble, as does Discussion Group (I), reprinted across two facing pages. In her acknowledgments, Tonia Shimin says that she intended the book as a “tribute to the work of my father”; it is, and it also underscores the skills of its editor.
A loving survey of an artist’s varied career.Pub Date: Nov. 1, 2019
ISBN: 978-0-9990342-2-4
Page Count: 156
Publisher: Mercury Press International
Review Posted Online: June 23, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Review Program: Kirkus Indie
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
Gibbins combines historical knowledge with a sense of adventure, making this book a highly enjoyable package.
A popular novelist turns his hand to historical writing, focusing on what shipwrecks can tell us.
There’s something inherently romantic about shipwrecks: the mystery, the drama of disaster, the prospect of lost treasure. Gibbins, who’s found acclaim as an author of historical fiction, has long been fascinated with them, and his expertise in both archaeology and diving provides a tone of solid authority to his latest book. The author has personally dived on more than half the wrecks discussed in the book; for the other cases, he draws on historical records and accounts. “Wrecks offer special access to history at all…levels,” he writes. “Unlike many archaeological sites, a wreck represents a single event in which most of the objects were in use at that time and can often be closely dated. What might seem hazy in other evidence can be sharply defined, pointing the way to fresh insights.” Gibbins covers a wide variety of cases, including wrecks dating from classical times; a ship torpedoed during World War II; a Viking longship; a ship of Arab origin that foundered in Indonesian waters in the ninth century; the Mary Rose, the flagship of the navy of Henry VIII; and an Arctic exploring vessel, the Terror (for more on that ship, read Paul Watson’s Ice Ghost). Underwater excavation often produces valuable artifacts, but Gibbins is equally interested in the material that reveals the society of the time. He does an excellent job of placing each wreck within a broader context, as well as examining the human elements of the story. The result is a book that will appeal to readers with an interest in maritime history and who would enjoy a different, and enlightening, perspective.
Gibbins combines historical knowledge with a sense of adventure, making this book a highly enjoyable package.Pub Date: April 2, 2024
ISBN: 9781250325372
Page Count: 304
Publisher: St. Martin's
Review Posted Online: Nov. 28, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
BOOK REVIEW
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