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The Black Ten Commandments

NATIONAL WARNING ORDER

A thorough, if extreme, proposal for making African-Americans self-reliant.

A debut political book proposes new commandments for black America.

In response to Ossie Davis’ 1965 call for a “Black ten commandments,” Caligula has composed a regimen of activities he thinks will “provide a new standard of leadership—one that is not autocratic, doesn’t thrive on instability, operates in a more transparent manner, and disseminates a plan for the Black community.” Much of the book (the first 400 pages) is spent attempting to establish the economic, political, psychological, and spiritual context for black America. The commandments, when they finally appear, are presented as solutions to the myriad problems faced by African-Americans, explained both in their philosophical dimension and practical application. The concerns of the commandments, which retain a basis in Scripture, include setting proper priorities, rejecting white paternalism, refocusing on the nuclear family, reinvigorating the black church, and other goals that the author sees as strengthening the position of the larger African-American community. A mix of conservative faith-and-family initiatives combined with political agitation in the courts and support for black businesses, Caligula’s platform is essentially a rebranding of long-promoted improvement strategies articulated in a franker and more forceful tone. An Army veteran, Caligula uses U.S. military principles, including the Military Problem Solving Process, as a basis for both community- and self-improvement. He writes with clarity and confidence, though his idiosyncrasies are numerous and frequently distracting. (He spends a surprising amount of time discussing comparative mythology, for example, and insists on always spelling African as “AfriCAN.”) Though many of his complaints and criticisms about the relationship between white and black America are valid, the author holds some controversial opinions in regards to both mainstream Christianity (which he calls “Fascianity...biblical-based fascism akin to Nazism”) and the American political system (“Liberal foxes and conservative wolves are two sides of the same coin”). He is no fan of President Barack Obama (whom he calls a “selfish trickster”), and has little patience for what he terms “Black victim ‘excuse-aholics.’ ” It’s a tough love approach to say the least, one that will likely prove too tough for many readers.

A thorough, if extreme, proposal for making African-Americans self-reliant.

Pub Date: March 8, 2016

ISBN: 978-1-4787-2705-7

Page Count: 538

Publisher: Outskirts Press

Review Posted Online: Dec. 5, 2016

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SLEEPERS

An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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LIFE IS SO GOOD

The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.

Pub Date: Feb. 1, 2000

ISBN: 0-375-50396-X

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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