Granny Apple Fritter and Lonesome Bob are countin’ on Railroad John to bring in the Sagebrush Flyer on time to Red Rock because Lonesome Bob is going to marry Wildcat Annie at exactly 2:00. But none of them have counted on calamities like Bad Bill’s gang robbing the train of all its coal, or the Cripplesome Creek being washed out, or a whirlwind swirling them off the tracks. Good thing Granny’s Hard-Shell-Chili-Pepper-Corn-Pone Muffins are hotter than coal; Lonesome Bob’s guitar strings make a leap-the-bridge lariat; and the whirly-wind set down that train at the station at exactly 1:59. But where is Wildcat Annie? Minutes later, she roars up like a dust storm, having rousted the outlaws, retrieved the coal, baked a platter of Granny’s muffins and bought Lonesome Bob a wedding gift of guitar strings. The exaggerated acrylic illustrations spur on the outlandishness with offbeat sepia tintype images, giddy perspectives and clever compositions. Lonesome Bob looks like a Martin Short character and a recipe spoof for muffins lists rattlesnake milk, cactus flour and pure dragon’s tooth extract. It’s mighty tall-tale telling, just waitin’ for a teller and a passel of kids. (Picture book/tall tale. 5-8)
Pub Date: March 1, 2006
ISBN: 1-56145-363-3
Page Count: 32
Publisher: Peachtree
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2006
BOOK REVIEW
Transitioning readers will feel accomplished and will surely look for future volumes to see what happens in Mia’s new life.
In this first volume of a new chapter-book series, a little girl named Mia discovers she’s a superhero.
Mia Macarooney is “a total disaster machine.” Everywhere she goes, chaos and mayhem follow (literally, in the case of Chaos—that’s the name of her cat). Except now she’s received an unusual letter, inviting her to the Program for In Training Superheroes, and she is totally bowled over. It turns out her accidents are often results of her superpowers, which she will learn to hone in her after-school hours at the PITS. As if that weren’t enough of a shock, Mia’s parents deliver the thrilling news that they are superheroes too! Her father is fluent in animal speech, and her mother can fly. Everything moves quickly at the PITS. Mia embarrasses herself in front of everyone during the entrance exam but ends up feeling supported and ready to learn…in the next volume. Freckled, brown-skinned, curly-fro–sporting Mia is an adorable protagonist. An overuse of exclamation points keeps the adrenaline running without a steady stream of exciting events—or even a climax and resolution—but with the large, bold type and the cute illustrations full of personality, emerging readers will be happy to read this book independently. What’s more exciting than that?
Transitioning readers will feel accomplished and will surely look for future volumes to see what happens in Mia’s new life. (Fantasy. 5-8)Pub Date: Dec. 18, 2018
ISBN: 978-1-5344-3270-3
Page Count: 128
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
A trite, knock-off sequel to Jumanji (1981). The “Jumanji” box distracts Walter Budwing away from beating up on his little brother Danny, but it’s Danny who discovers the Zathura board inside—and in no time, Earth is far behind, a meteor has smashed through the roof, and a reptilian Zyborg pirate is crawling through the hole. Each throw of the dice brings an ominous new development, portrayed in grainy, penciled freeze frames featuring sculptured-looking figures in constricted, almost claustrophobic settings. The angles of view are, as always, wonderfully dramatic, but not only is much of the finer detail that contributed to Jumanji’s astonishing realism missing, the spectacular damage being done to the Budwings’ house as the game progresses is, by and large, only glimpsed around the picture edges. Naturally, having had his bacon repeatedly saved by his younger sibling’s quick thinking, once Walter falls through a black hole to a time preceding the game’s start, his attitude toward Danny undergoes a sudden, radical transformation. Van Allsburg’s imagination usually soars right along with his accomplished art—but here, both are just running in place. (Picture book. 6-8)
Pub Date: Oct. 28, 2002
ISBN: 0-618-25396-3
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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