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PLAYING THE MOLDOVANS AT TENNIS

Not particularly elevated or elevating, but a lot of fun.

Another goofy travelogue—and a UK bestseller—by the English writer who, on a dare, once hitchhiked around Ireland with a refrigerator.

Don’t come to Hawks, as you might with just about any other literary travel-writer, expecting to glean respectful social-studies lessons about exotic Third World places and why they seem that way to jaundiced First Worlders. When Hawks takes us to Moldova—that sandwich-thin, Romanian-speaking slice of the former Soviet Union once known as Bessarabia—it’s mostly to complain about the awful food, the horrific drinking habits of the locals, and the absence of reliable telephones, electric lights, and hot water. Still, he’s quick to admit his ignorance of the place. He writes, for instance, that he’d been blissfully unaware of a separatist movement of Russian-speaking Moldovans that declared a “Transnistrian Moldavian Soviet Socialist Republic” following the collapse of the Gorbachev regime. “All this had gone largely unnoticed by Western observers and particularly by me,” he confesses. “I’d been too busy practicing my serve.” He’d been doing so to bone up for another goofy dare, namely, to find and play tennis matches against the Moldovan national soccer team, which had given the English team a good scare in an international match some months earlier. His account of his travels to Moldova, Transnistria, Northern Ireland, and Israel to track down those worthy opponents may remind some readers of Bill Bryson (except that Hawks is genuinely funny and doesn’t have to reach to get a laugh). The payoff (finding out how the bet turns out) is well worth the occasional dry patches.

Not particularly elevated or elevating, but a lot of fun.

Pub Date: June 1, 2001

ISBN: 0-312-28010-6

Page Count: 256

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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