Strong characters, an intriguing story, and a brisk pace make for a highly readable legal thriller.
Hawthorne’s debut novel follows a Cape Cod lawyer who defends a mute old woman with memory loss in her trial for a 50-year-old murder in a hostile Southern town.
Olivia St. Clair, 72, is a successful, mute sculptress living the twilight of her life on Cape Cod. One day, however, she’s suddenly arrested and whisked away to a South Carolina town to face murder charges in the death of her wealthy industrialist lover, who died more than 50 years ago in a mysterious factory fire. To defend her, she hires John Bartlemas, a Cape Cod lawyer with little criminal experience. Bartlemas is dealing with his own personal problems, for which he needs money, but what he expects will be a quick guilty plea and probation for St. Clair turns into a desperate fight for her life when the local district attorney unexpectedly asks for the death penalty. Bartlemas finds himself not only struggling with a mute client and her poor memory, but also a prejudiced Southern town that would like nothing better than to see his client dead. Hawthorne has written a sleek, stylish murder mystery with a sharp focus that never loses sight of the main plot even as it takes occasional detours into subplots, each adding to the story’s enjoyment and understanding. Although this is his debut, Hawthorne, a former attorney, avoids the trap of stuffing the book full of everything he knows, and the story moves along briskly. The book perfectly captures the “fish out of water” element felt by Bartlemas and St. Clair in a suspicious town and legal system that views the Northerners as haughty Yankees trying to hoodwink them. Among the small yet memorable cast, Bartlemas is well-defined, but perhaps the most interesting is St. Clair. Questions surround her yet remain unanswered even as the case is tried and the mystery revealed. Another book featuring one or both of them could fill in the gaps—a return most readers would welcome.
Strong characters, an intriguing story, and a brisk pace make for a highly readable legal thriller.Pub Date: Oct. 31, 2014
ISBN: 978-0-9863346-0-3
Page Count: 203
Publisher: Book Baby
Review Posted Online: Feb. 27, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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