by Tony Johnston & illustrated by Karen Barbour ‧ RELEASE DATE: April 2, 2003
Twenty-nine poems in free verse and haiku celebrate Mexico’s dramatic history and continuing traditions. The poems speak of the ancient rain god Tláloc and the plumed serpent Quetzalcóatl. They reflect on the landing of Hernán Cortés in Veracruz, on the building of colonial churches where saints were given Indian faces, and on the enduring landscape. A young girl with long braids and folkloric dress is featured in many of the illustrations. “On a Jalapeño day—hot, hot, hot—” she drifts out the window and floats over the field where her father plows with an ox. In another poem, “Near the Zócalo” she stands “where the Old Ones / received the sign— / of eagle, serpent, nopal.” The folk-like illustrations in black ink crowd the pages with childlike energy. Although the past infuses the present, the images are primarily rural. A rainy-day traffic jam in Mexico City is depicted with child-like drawings of cars occupied by men in sombreros and women with shawl-covered heads. Nothing is conveyed of the sophistication and energy, the vibrancy, or the daring modern architecture of contemporary Mexico City. A glossary provides pronunciations and brief explanations of people, places, and terms. For many readers, more detailed explanations of the history behind the poems would have been helpful. The poems are competent, but not outstanding. A good addition where books about Mexico are needed. (Poetry. 8-12)
Pub Date: April 2, 2003
ISBN: 0-374-30347-9
Page Count: 64
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
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by Jane Kuo ‧ RELEASE DATE: June 28, 2022
A powerfully candid and soulful account of an immigrant experience.
A Taiwanese family tries their luck in America.
In this verse novel, it’s 1980, and nearly 11-year-old Ai Shi and her mother prepare to leave Taipei to join her father in California, where he is pursuing a business opportunity with a friend. The extended family send them off, telling Ai Shi she’s so lucky to go to the “beautiful country”—the literal translation of the Chinese name for the U.S. Once they are reunited with Ba, he reveals that they have instead poured their savings into a restaurant in the remote Los Angeles County town of Duarte. Ma and Ba need to learn to cook American food, but at least, despite a betrayal by Ba’s friend, they have their own business. However, the American dream loses its shine as language barriers, isolation, financial stress, and racism take their toll. Ai Shi internalizes her parents’ disappointment in their new country by staying silent about bullying at school and her own unmet needs. Her letters home to her favorite cousin, Mei, maintain that all is well. After a year of enduring unrelenting challenges, including vandalism by local teens, the family reaches its breaking point. Hope belatedly arrives in the form of community allies and a change of luck. Kuo deftly touches on complex issues, such as the human cost of the history between China and Taiwan as well as the socio-economic prejudices and identity issues within Asian American communities.
A powerfully candid and soulful account of an immigrant experience. (Verse historical fiction. 9-12)Pub Date: June 28, 2022
ISBN: 978-0-06-311898-0
Page Count: 320
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 28, 2022
Kirkus Reviews Issue: April 15, 2022
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PERSPECTIVES
by Peggy Thomas & illustrated by Layne Johnson ‧ RELEASE DATE: Feb. 1, 2008
A pleasing new picture book looks at George Washington’s career through an agricultural lens. Sprinkling excerpts from his letters and diaries throughout to allow its subject to speak in his own voice, the narrative makes a convincing case for Washington’s place as the nation’s First Farmer. His innovations, in addition to applying the scientific method to compost, include a combination plow-tiller-harrow, the popularization of the mule and a two-level barn that put horses to work at threshing grain in any weather. Thomas integrates Washington’s military and political adventures into her account, making clear that it was his frustration as a farmer that caused him to join the revolutionary cause. Lane’s oil illustrations, while sometimes stiff, appropriately portray a man who was happiest when working the land. Backmatter includes a timeline, author’s notes on both Mount Vernon and Washington the slaveholder, resources for further exploration and a bibliography. (Picture book/biography. 8-12)
Pub Date: Feb. 1, 2008
ISBN: 978-1-59078-460-0
Page Count: 40
Publisher: Calkins Creek/Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2008
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