A promising, playful, and often darkly absurdist set of tales that confounds expectations with style and grace.
Sciarra delivers a quirky, well-crafted collection of surreal short stories, delivered with economy and wit.
This debut compilation of 15 tales, often driven by unlikely premises, works hard to upend readers’ assumptions. “My Son, David,” for example, centers on a young boy’s unsettling plea to leave his bedroom window open—and allow access to monsters that only he can see: “They need to come back or they can’t go home.” Many tales’ premises carry stark consequences, including the risk of damnation, as when an alluring hitchhiker tells the overeager buyer of “Jeremy’s New Car,” “Well, you make nothing in hell, right? So, to make that money, you’ve gotta work a pretty long time.” In other cases, the price doesn’t mean risking life or limb, but continuing to carry the weight of an unrealized dream—a fate that ensnares an obsessive hunter in “The Majestic, but Elusive, Rhino-Elephant” and an overly ambitious couple scrambling for an unobstructed view of Lake Ontario in “The Views Are Wonderful”: “Being underwater is a terrible thing, whether in the lake, or on dry land seven stories up.” The overall effect, in the best of these tales, is a deft blend of Twilight Zone–style irony and Ernest Hemingway–like economy, as in “Rachel,” whose final twist brings down the curtain on a story within a story. Other works seem closer to sketches, although they’re still served up with economical flair. “The Hand That Claps Last, Claps Loudest,” for instance, seems like a setup to the dirty joke about “opportunities that are presented and taken away” during a torrid sexual encounter, yet it only takes 250 words to make its point. The stories’ lessons would be lost or muddled in lesser hands, but they’re clearly imprinted with the author’s style and raise expectations for future offerings.
A promising, playful, and often darkly absurdist set of tales that confounds expectations with style and grace.Pub Date: April 9, 2026
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: March 11, 2026
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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