An often complex and exciting fantasy with a few flaws.

THE EMBERS OF ELDEN

From the The Chronicles of Cloth and Crystal series , Vol. 2

A young witch seeks to break a magical gem’s hold over her in this sequel.

Sixteen-year-old Elan Montescue of the Riege is a memory witch, able to read recollections through crystals and pieces of cloth. In this fantasy series’ first book, Elan left the safety of her Keep planning to avenge her family’s murder, and discovered an outside world full of warring factions. She also met Stille Vespers, her “Anaiah,” a boy her age who’s a kind of human crystal. After using a special “rubystone” to bring Stille back to life, she’s now in thrall to the gem. It wants her to meet with Catherine, the mother who abandoned Elan when she was 5, in the city of Darine. But Catherine is now allied to Our Master, a despot with powers of his own; he rules Karator, across the Impassable River, and plans to invade the Riege. Refugees from Karator live a precarious life in the Riege, where they are mistrusted and scapegoated, but they too hate the Master. Kontessa, a Karator girl with a silver hand—symbolizing resistance to the Master—makes her way to Darine, as does King Marcellus, who survived a coup attempt by a religious sect and now travels in disguise to learn more about his realm. As a great conflict brews, things look dire—but a girl’s voice from the rubystone tells Elan of a way to defeat the Master. Can the voice be trusted? In this rich novel, Dillon (The Memory Witch, 2018, etc.) deftly weaves all these disparate strands together, giving readers a more comprehensive view of the Riege, Karator, and the people of this world. Strong action sequences enliven the plot, which sometimes bogs down a bit in the teenagers’ melodramatic emotions. For example, when Elan tells Stille about his miraculous rescue, he immediately concludes: “You’ve turned me into a monster. . . . I should be dead.” In addition, cloth and crystal magic, so original and integral to the first volume, plays little role here, which is somewhat disappointing.

An often complex and exciting fantasy with a few flaws.

Pub Date: Aug. 23, 2019

ISBN: 978-1-73347-540-2

Page Count: 404

Publisher: RJA Enterprises

Review Posted Online: Nov. 13, 2019

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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