Worth a try for fans of the genre, but start with Book 1, Journey into the Flame.
The unexciting middle installment in the author’s Rising World trilogy.
The Great Disruption of 2027 tilted the Earth’s axis by 4 degrees, unleashing massive death and destruction. In 2030, the survivors must deal with aftereffects such as widespread illness and earthquakes that lack epicenters. Can humanity make a comeback? “The Rising is over,” a character states. “Now we must see if the wager on mankind was well placed….Even the simple act of loving someone is risky.” Key to the Earth’s recovery are the Chronicles of Satraya and learning how to “unearth the secret of free energy.” Bad People will kill to control the Chronicles, which dispense such wisdom as “Mind is Mind.” Pyramids will generate electricity, a fact known to the ancient Egyptians. Exactly how the ancients used that power is not obvious, but no matter. Much is made of the real-life Nicola Tesla’s experiments with electricity, which helps cover the story’s flapdoodle with a veneer of science. For example, there are three kinds of resonances mentioned that turn out to be real, like the Schumann resonance—is the Earth out of tune? The characters are straightforward with the notable exception(s) of doctors Josef and Rosa, mixed-gender twins conjoined at the head. They have one superhigh-IQ brain between them and routinely finish each other’s sentences. They might be the worst character concept inflicted on innocent readers in many a yarn, but kudos to the author for daring to try. In the end, though, it’s an imaginative book with elements of science fiction, futurism and fantasy. The pace and storytelling are good, and the author makes effective use of Edvard Munch’s famous painting The Scream. The ending sets up the series finale, with more foul deeds afoot.
Worth a try for fans of the genre, but start with Book 1, Journey into the Flame.Pub Date: Jan. 6, 2015
ISBN: 978-1-4767-1341-0
Page Count: 544
Publisher: Atria
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
BOOK REVIEW
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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