Breezy chick-lit memoir/self-help manual for the menopausal woman by screenwriter Jackson (Confessions of a Shopaholic), who works hard to be funny and sometimes succeeds.
The author begins by assessing her grandmother as having been too negligent of her body and appearance and her mother as obsessed with her looks but misguided. After the chapter on Botox and plastic surgery, readers may well conclude that the author is a tad obsessed as well, but with the advantage of newer tools and information. First, though, Jackson looks at the horrors of menopause and the effects of declining estrogen production on a woman’s libido. The author has fun with a fantasy-aided masturbation scene and another involving sex toys too complicated for a middle-aged couple. The declining-estrogen chapter leads naturally into a discussion of the numerous health woes that can beset the no-longer-young. Jackson also tackles losses—of one’s job, which threatens one’s identity; of children, who grow up and leave home; of friends and acquaintances taken away by death. She makes an attempt at financial advice for those turning 50: Live within your income and plan ahead. Then the author returns to a more entertaining topic—meeting men on the Internet. She conducts an experiment using herself as guinea pig and concludes that there are in fact decent men out there, and the Internet is one way for a middle-aged woman to find them, if she has patience and perseverance. If there’s a take-home message, it’s that at 50, don’t fool yourself into believing that you are still youthful and that the best is yet to come. However, there is still time to live life fully as a mature woman. The self-help aspects are overshadowed by the author’s self-centeredness, and her prolonged quest for a youthful appearance belies her ostensible message about recognizing one’s maturity.
Pub Date: Feb. 15, 2011
ISBN: 978-0-06-166927-9
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 23, 2010
Kirkus Reviews Issue: Nov. 15, 2010
These platitudes need perspective; better to buy the books they came from.
A lightweight collection of self-help snippets from the bestselling author.
What makes a quote a quote? Does it have to be quoted by someone other than the original author? Apparently not, if we take Strayed’s collection of truisms as an example. The well-known memoirist (Wild), novelist (Torch), and radio-show host (“Dear Sugar”) pulls lines from her previous pages and delivers them one at a time in this small, gift-sized book. No excerpt exceeds one page in length, and some are only one line long. Strayed doesn’t reference the books she’s drawing from, so the quotes stand without context and are strung together without apparent attention to structure or narrative flow. Thus, we move back and forth from first-person tales from the Pacific Crest Trail to conversational tidbits to meditations on grief. Some are astoundingly simple, such as Strayed’s declaration that “Love is the feeling we have for those we care deeply about and hold in high regard.” Others call on the author’s unique observations—people who regret what they haven’t done, she writes, end up “mingy, addled, shrink-wrapped versions” of themselves—and offer a reward for wading through obvious advice like “Trust your gut.” Other quotes sound familiar—not necessarily because you’ve read Strayed’s other work, but likely due to the influence of other authors on her writing. When she writes about blooming into your own authenticity, for instance, one is immediately reminded of Anaïs Nin: "And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.” Strayed’s true blossoming happens in her longer works; while this collection might brighten someone’s day—and is sure to sell plenty of copies during the holidays—it’s no substitute for the real thing.
These platitudes need perspective; better to buy the books they came from.Pub Date: Nov. 1, 2015
ISBN: 978-1-101-946909
Page Count: 160
Publisher: Knopf
Review Posted Online: Aug. 15, 2015
Kirkus Reviews Issue: Sept. 1, 2015
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...
Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.
The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.Pub Date: Nov. 13, 2012
ISBN: 978-0-670-02496-4
Page Count: 320
Publisher: Viking
Review Posted Online: Sept. 12, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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