A high-energy love story about identity and attachment, perfect for fans of romances with unlikely pairings.
A contemporary romance about a woman who returns to California after years of photographing bears in the Arctic and falls in love with a movie star.
In the most recent installment of her Love Stories series, Ewens (Playbook, 2017, etc.) follows Megara Jeffries, an accomplished magazine photographer who’s decided to move back to her hometown of San Francisco and finally put down roots. As a means of earning money now that she’s no longer traveling to exotic locations on shoots for National Geographic, Meg acquires an agent and is soon booked to speak at several public events. At the first, a nervous Meg is escorted onstage by Westin Drake, a Hollywood A-lister whose name means nothing to her. They quickly form a bond, though, as West helps Meg stave off a panic attack and get through her first public appearance. Soon the press becomes obsessed with their budding relationship. As a result of their shared interest in environmentalist causes, Meg and West are thrown together time and again, and each time, they grow steadily more attached to each other. Unfortunately, the closer they get, the more Meg realizes that West lives in a world that she may not care to inhabit. As Ewens creates one obstacle after another for the couple, she also explores deeper questions about personal choices and the true meaning of success. Along the way, she effectively shows how the pair struggles with whether they can have a meaningful future with each other and how they begin to question their own individual paths. The narrative has a light and fast-paced feel throughout, and, as in Ewens’ other books, it engagingly tackles complicated questions without ever sacrificing its quick tempo. As the eighth book in the series, this satisfying tale of love and risk does recycle some characters from prior installments, including Meg’s sisters, but for newcomers, it will stand solidly on its own.
A high-energy love story about identity and attachment, perfect for fans of romances with unlikely pairings.Pub Date: March 25, 2017
ISBN: 978-0-9976838-4-4
Page Count: 278
Publisher: CreateSpace
Review Posted Online: April 7, 2017
Review Program: Kirkus Indie
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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