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PREMIERE

A LOVE STORY

Despite this novel’s slow start, Peter and Sam are a likable duo, and readers will be on the edges of their seats as they...

The play’s the thing in this enchanting starter to Ewens’ (Catalina Kiss, 2012) romance series.

Samantha “Sam” Cathner is both grateful and nervous when her childhood friend Peter Everoad returns to California to work on his new play, Looking In. She’s the assistant creative director of the Pasadena Playhouse, and she trusts that anything Peter writes will draw a crowd there. But it turns out that the script is about Peter’s unfinished emotional business with Sam—and even he doesn’t know how the story will end, even as he’s writing the final scenes. It’s a tightly crafted premise, and the story ends with Peter moving to New York City to escape the aftermath of his father’s suicide, leaving Sam brokenhearted just as she and Peter were becoming more than friends. The tension between them is most convincing during play rehearsals: Sam is livid as she watches a professional actor portray her character, “Sally,” as a superficial debutante, while Peter instructs the actor playing “Phillip” to make the audience sympathize with him. However, the novel’s detours into the nuts and bolts of theater production, although detailed and authentic, tend to stall the action. The second act is more successful, as it brings the couple’s lost love into the present moment, with a touch of Hollywood romance. Peter chooses a historic movie theater on Catalina Island, where he and Sam used to spend vacations, to stage a grand gesture that would make anyone swoon. But an unfortunate twist leaves Sam in the same place that Peter left her in years ago, stuck by herself just when she needs him most—only this time, Peter can’t use his youth, or his father, as an excuse. In a character-defining moment, he’ll have to decide how their love will continue after the curtain falls.

Despite this novel’s slow start, Peter and Sam are a likable duo, and readers will be on the edges of their seats as they wait to see if the play has a happy ending.

Pub Date: Oct. 21, 2014

ISBN: 978-0990857112

Page Count: 272

Publisher: Premiere

Review Posted Online: Dec. 4, 2014

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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