by Tracy Nelson Maurer ; illustrated by Mircea Catusanu ‧ RELEASE DATE: April 1, 2017
An attractive volume demonstrating that even words themselves have a story.
The story of Noah Webster, America’s original man of letters.
Noah Webster was concerned with letters, literally. With America formally separated from England, he wanted to break away from Great Britain in every way. As a classroom teacher, he saw that students didn’t learn American geography or American history or read American stories. And students used British grammar books. So, the same year the American Revolution ended, he published A Grammatical Institute of the English Language, and his spelling book became America’s first bestseller. Webster also believed in simplifying spelling, so that words would be spelled the way they sounded: center instead of centre, jail instead of gaol, iz for is, and hed for head. Though not every suggestion caught on, he changed the spellings of more English words than anyone ever had. Maurer, ever mindful of her own words and spelling every one carefully, has crafted a text that reflects Webster’s feisty personality and provides enough history to establish sufficient context for Webster’s work. Catusanu’s mixed-media illustrations combine child-friendly depictions of Webster, Benjamin Franklin, and others with period drawings and excerpts from period newspapers, books, and Webster’s own handwritten letters. Digitally collaged speech bubbles and the occasional obviously anachronistic image give the design a lively feel. Young readers encountering new words here will know where to find help—Webster’s dictionary!
An attractive volume demonstrating that even words themselves have a story. (author’s note, illustrator’s note, timeline, sources, bibliography, primary sources, more information) (Picture book/biography. 7-10)Pub Date: April 1, 2017
ISBN: 978-1-4677-9410-7
Page Count: 40
Publisher: Millbrook/Lerner
Review Posted Online: Dec. 20, 2016
Kirkus Reviews Issue: Jan. 15, 2017
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by Zora Neale Hurston & Joyce Carol Thomas & illustrated by Bryan Collier ‧ RELEASE DATE: April 1, 2004
Thomas polishes up nine anecdotes and pourquoi tales collected by Hurston, but only recently rediscovered (along with hundreds more) and published in a collection for adults. Originally transcribed in dialect, their regional flavor has been toned down, but not completely erased: when Porpoise outraces the Sun, for instance, God says, “Aw, no, this ain’t gonna do!” and fixes Porpoise’s tail “on crossways.” Sandwiched between not-quite-identical versions of “Why the Buzzard Has No Home,” these short tales of rivalry (“Why the Dog Hates the Cat”), friendship (“Why the Frog Got Eyes and Mole Got Tail”), and troubles explained (“Why Flies Get the First Taste”) will appeal to readers and tellers alike for their simplicity, humor, and action. To all of this, Collier adds an unexpected, but not overdone, layer of visual complexity with painted collages in which easily recognizable animals and background features, abstract forms, and swirls of color coexist. Younger audiences might not know Hurston as a folklorist; here’s help for that, in an inviting mix of tales and familiar ones made fresh. (Folk tales. 7-10)
Pub Date: April 1, 2004
ISBN: 0-06-000643-9
Page Count: 42
Publisher: N/A
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 2004
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by Tina Nichols Coury & illustrated by Sally Wern Comport ‧ RELEASE DATE: May 10, 2012
Much has been written for children about Mount Rushmore. While this isn’t a must-have, it offers a new approach to this...
You’re a dutiful son; your father, renowned sculptor Gutzon Borglum, designed the presidential monuments on Mount Rushmore. You finish the job when your father dies, but history will ignore you.
This book’s aim is to rectify history’s misstep. It takes readers from Lincoln Borglum’s shy childhood to the beginning of the project in 1927, when he was a teen, and on through its completion 14 years later. Lincoln was deeply involved, working at many grueling tasks alongside hundreds of crewmen. Readers learn that Gutzon designed a Hall of Records, never constructed, to be built behind the sculptures. They also discover that Jefferson’s head was once carved on a different site on the mountain but had to be demolished and reconstructed elsewhere. Lincoln did swing under a president’s nose, although, despite the title, the author doesn’t confirm it was Jefferson’s. Mount Rushmore commemorates four presidents; this serviceably written book memorializes the younger Borglum. Lincoln is sympathetic, and readers will be glad he enjoyed future success, described in an afterword. The acrylic-and-pastel paintings are rendered in earth and muted tones and give a sense of the monument’s scale. The final endpapers depict the four presidents; younger children would benefit from their being identified. A mostly outdated, seemingly child-unfriendly bibliography is unhelpful.
Much has been written for children about Mount Rushmore. While this isn’t a must-have, it offers a new approach to this landmark. (Picture book/biography 7-10)Pub Date: May 10, 2012
ISBN: 978-0-8037-3731-0
Page Count: 40
Publisher: Dial Books
Review Posted Online: March 6, 2012
Kirkus Reviews Issue: April 1, 2012
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