If a Nancy Chan franchise actually looms on the horizon, this happy hooker will need to learn some new tricks.


In this uninspired sequel (Diary of a Manhattan Call Girl, 2001), Quan’s proud prostitute heroine simply goes back for sloppy seconds.

The sometimes amusing “diarist” narrator has married her impossibly perfect (and impossibly unsuspecting) banker boyfriend Matt, but otherwise it’s business, Brazilian waxes and Botox as usual. Weekly sessions with her shrink give Nancy a chance to be honest about her double life as wife and call girl, but for the most part it’s just lip service from a shallow, self-unaware liar hoping to keep her profession a secret. The most shocking thing about Nancy’s story isn’t the sex or her loyalty to the life, but the tiresome logistics. Someone is always coming or going, waiting in a hotel room or on voicemail, and they all require an excuse or a fresh lie. Covering-up has become this unnecessarily desperate housewife’s driving force, and it seems like quite a lot of hassle for a thirtysomething with a successful, baby-mad husband to want to put up with. Subplots involving sex-worker activism and a family funeral in Trinidad do little more than introduce more indistinct, dead-end supporting characters for the protagonist to manipulate or lie to. Meanwhile, Nancy seems to neither love nor want to leave hooking behind, and it’s not quite clear how the reader should view this conundrum: Is she sad and warped by the things she has done, or empowered and enviable? One thing that is for certain, Nancy is no Carrie Bradshaw, even if lunch conversations with her working-girl girlfriends read like tepid Sex and the City deleted scenes. And with the entire story taking place in early 2001, all this pre-9/11 grunting and groaning feels dated. Anyone looking for confessional, know-how secrets from a sexual dynamo will be woefully disappointed by advice like, “When in doubt, wear black.”

If a Nancy Chan franchise actually looms on the horizon, this happy hooker will need to learn some new tricks.

Pub Date: Sept. 27, 2005

ISBN: 1-4000-5354-4

Page Count: 320

Publisher: Three Rivers/Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2005

Did you like this book?

No Comments Yet

The phrase “tour de force” could have been invented for this audacious novel.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize

  • National Book Award Finalist


Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

No Comments Yet

Laymon moves us dazzlingly (and sometimes bewilderingly) from 1964 to 1985 to 2013 and incorporates themes of prejudice,...


A novel within a novel—hilarious, moving and occasionally dizzying.

Citoyen “City” Coldson is a 14-year-old wunderkind when it comes to crafting sentences. In fact, his only rival is his classmate LaVander Peeler. Although the two don’t get along, they’ve qualified to appear on the national finals of the contest "Can You Use That Word in a Sentence," and each is determined to win. Unfortunately, on the nationally televised show, City is given the word “niggardly” and, to say the least, does not provide a “correct, appropriate or dynamic usage” of the word as the rules require. LaVander similarly blows his chance with the word “chitterlings,” so both are humiliated, City the more so since his appearance is available to all on YouTube. This leads to a confrontation with his grandmother, alas for City, “the greatest whupper in the history of Mississippi whuppings.” Meanwhile, the principal at City’s school has given him a book entitled Long Division. When City begins to read this, he discovers that the main character is named City Coldson, and he’s in love with a Shalaya Crump...but this is in 1985, and the contest finals occurred in 2013. (Laymon is nothing if not contemporary.) A girl named Baize Shephard also appears in the novel City is reading, though in 2013, she has mysteriously disappeared a few weeks before City’s humiliation. Laymon cleverly interweaves his narrative threads and connects characters in surprising and seemingly impossible ways.

Laymon moves us dazzlingly (and sometimes bewilderingly) from 1964 to 1985 to 2013 and incorporates themes of prejudice, confusion and love rooted in an emphatically post-Katrina world.

Pub Date: June 15, 2013

ISBN: 978-1-932841-72-5

Page Count: 250

Publisher: Bolden/Agate

Review Posted Online: March 14, 2013

Kirkus Reviews Issue: April 1, 2013

Did you like this book?

No Comments Yet