The matter-of-fact descriptions of sex as a job are decidedly un-erotic, but Nancy does seem to enjoy her work, which she...
An avowedly autobiographical debut novel based heavily on Quan’s erstwhile column for Salon (“Nancy Chan”: July 1999 to February 2000).
Narrator Nancy decided at age 10 that she wanted to be a prostitute and began turning tricks at 14. Now in her early 30s but passing for much younger, Nancy has risen through the ranks to what amounts to the top of her chosen career: possession of her own book of regulars supplemented by referrals from a high-class madam. But then she faces an unexpected conflict. Nancy’s boyfriend has proposed, and she has accepted, well aware that her new fiancé is clueless about her worklife. (She uses freelance copyediting as her cover.) As he pushes her to start apartment-hunting with him, Nancy panics. She won’t be able to work at home once she marries, she realizes, but she’s not sure she wants to give up prostitution. Nancy ruminates about the choice she must make as she takes us through her routine: assignations; shrink appointments; shopping trips to return bras; visits to the hairdresser, gym, and waxing salon; and arguments with her two best friends, each of whom occasionally teams up with her on tricks. A subplot about Nancy’s friend Ally and her involvement with “The New York Council of Trollops” takes on sudden importance in the last 20 pages when a less-experienced call girl is blackmailed by a very young computer nerd. Probably due to its origins in a column, the novel has a repetitive, static quality. Quan reintroduces characters and recites basic information over and over. You may learn more about pubic waxing than you ever want to know, ditto dildos.
The matter-of-fact descriptions of sex as a job are decidedly un-erotic, but Nancy does seem to enjoy her work, which she takes more seriously than most readers will.Pub Date: Aug. 21, 2001
ISBN: 0-609-60724-3
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2001
BOOK REVIEW
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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