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TERRY THE DINOSAUR

Low-rent graphics and interactive effects perfectly complement a stultifyingly bland prehistoric tale

A little pterodactyl is teased by his wingless peers.

The titular young pterodactyl, who “just want[s]to be normal,” is mocked by bullies who “[think] his wings [are] strange and weird,” snubbed when he tries to throw a party and then, following a bit of parental comfort, assaulted with snowballs. After all this, one of the onlookers, Bailey the Brachiosaurus, apologizes for his inaction, and the two go off to dance around “in the prehistoric sun.” Notwithstanding a reference to “vast snowy plains,” the brightly colored cartoon figures seem to live in sunny, woodland glades—and a good thing too, as reptiles are not known to thrive in snow. They rock stiffly back and forth or move a little, disappear or otherwise respond reluctantly to persistent taps and swipes. Children have the option of listening to a wooden reading of the awkwardly written narrative, choosing “Read Myself” mode (which also cuts off the background music) or dispensing with visible text entirely to make party balloons pop, scribble on a coloring page, or play with the rudimentary, slow-to-reload pinball game and two other simple appended activities.

Low-rent graphics and interactive effects perfectly complement a stultifyingly bland prehistoric tale . (iPad storybook app. 6-8)

Pub Date: June 22, 2014

ISBN: N/A

Page Count: -

Publisher: Translucent Computing

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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