A well-organized, wide-ranging collection of consistently strong genre stories.
In this anthology of short speculative fiction, debut editor Reeks gathers 26 stories about love—and the jealousy, sacrifice, and pain that can haunt even the most devoted hearts.
“I’ve always had a taste for dark,” says Reeks in her introduction, and she goes on to prove it with a top-shelf selection of tales, 20 of which are original to this book. They run the gamut of sci-fi and fantasy subgenres: there’s the gory horror of Matt Leivers’ “The Ghûl” and David Stevens’ “The Boulevardier”; the quickly sketched dystopias of Steve Simpson’s “Jacinta’s Lovers” and Michal Wojcik’s “Iron Roses”; and the time-travel troubles of Michael Milne’s “Traveler” and G. Scott Huggins’ “Past Perfect.” Although most of the stories focus on heterosexual romance, Reeks also features LGBT authors, such as io9 editor Charlie Jane Anders, whose snarky urban-fantasy tale, “Fairy Werewolf vs. Vampire Zombie,” is as laugh-out-loud funny as the title implies, and A. Merc Rustad, whose beautiful story, “The Sorcerer’s Unattainable Gardens,” gets the anthology off to a strong start. She also includes tales about different types of love, such as Jeff Vandermeer’s “A Heart for Lucretia,” about a brother who’s willing to give up anything for his sister, even himself, and Mel Paisley’s short but heartbreaking “A Concise Protocol for Efficient Deicide,” in which a captive alien soothes a mutilated human child with dreams of escaping the scientists who hold them both, so they can go someplace “Where they could understand something without breaking it.” Other standouts include “Virgin of the Sands” by Holly Phillips, set in a World War II–era North Africa, where an army-intelligence group employs a necromancer; “Back to Where I Know You,” by Victoria Zelvin, in which two women struggle to prevent their memories of each other from being erased; and “While (U>I)I- -;” by Hugh Howey, a tear-jerker about an android who meticulously ages himself for the sake of his robot-hating wife.
A well-organized, wide-ranging collection of consistently strong genre stories.Pub Date: Dec. 1, 2015
ISBN: 978-0-9966262-2-4
Page Count: 260
Publisher: Meerkat Press
Review Posted Online: Feb. 11, 2016
Kirkus Reviews Issue: March 15, 2016
Review Program: Kirkus Indie
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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BOOK TO SCREEN
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...
Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
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