Happiness and comfort overflow in this cozy tale of domestic bliss. An African-American boy, Jay Jay, narrates the weekly event in which “uncles and aunties, cousins and friends” all gather at Grannie’s house for Sunday dinner. Jay Jay’s mother drops him off on her way to pick up his father, so he and Grannie, whose face is as soft and warm as a down comforter, wait for the other guests. Cooke (The Grandad Tree, 2000, etc.) portrays Jay Jay’s anticipation in true child form as he repeatedly asks if dinner’s ready yet and watches restlessly out the window. The focus on Jay Jay and Grannie in the beginning might lead the reader to expect more of a story about their relationship rather than a celebration of ritual and family, but a celebration it is. Cars full of relatives finally pull up and out tumble tired, but cheerful parents and excited kids. Howard’s (One Bright Penny, p. 1395, etc.) inviting illustrations capture the complex expressions and postures of the adults and the children’s giddy and gleeful faces. The rhyming dinner menu, which Jay Jay recites, is astounding. “There were buttery peas, chicken and yams, macaroni and cheese, potatoes and ham. Biscuits, gravy, collard greens, pasta salad, rice and red beans! There was apple pie and vanilla ice cream, fresh peach cobbler covered in steam, raspberry sauce, coffee and tea—plenty, plenty for everybody!” Though a February release, the content invokes the holiday season and voices the importance of family without forcing it down anyone’s throat. Nothing else could fit after that meal anyway. (Picture book. 3-6)
Pub Date: Feb. 1, 2003
ISBN: 0-7636-1851-9
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
A visually striking, engaging picture book that sends the message that everyone counts.
A playful counting book also acts as a celebration of family and human diversity.
Shannon’s text is delivered in spare, rhythmic, lilting verse that begins with one and counts up to 10 as it presents different groupings of things and people in individual families, always emphasizing the unitary nature of each combination. “One is six. One line of laundry. One butterfly’s legs. One family.” Gomez’s richly colored pictures clarify and expand on all that the text lists: For “six,” a picture showing six members of a multigenerational family of color includes a line of laundry with six items hanging from it outside of their windows, as well as the painting of a six-legged butterfly that a child in the family is creating. While text never directs the art to depict diverse individuals and family constellations, Gomez does just this in her illustrations. Interracial families are included, as are depictions of men with their arms around each other, and a Sikh man wearing a turban. This inclusive spirit supports the text’s culminating assertion that “One is one and everyone. One earth. One world. One family.”
A visually striking, engaging picture book that sends the message that everyone counts. (Picture book. 3-6)Pub Date: May 26, 2015
ISBN: 978-0-374-30003-6
Page Count: 32
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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