FULL, FULL, FULL OF LOVE

Happiness and comfort overflow in this cozy tale of domestic bliss. An African-American boy, Jay Jay, narrates the weekly event in which “uncles and aunties, cousins and friends” all gather at Grannie’s house for Sunday dinner. Jay Jay’s mother drops him off on her way to pick up his father, so he and Grannie, whose face is as soft and warm as a down comforter, wait for the other guests. Cooke (The Grandad Tree, 2000, etc.) portrays Jay Jay’s anticipation in true child form as he repeatedly asks if dinner’s ready yet and watches restlessly out the window. The focus on Jay Jay and Grannie in the beginning might lead the reader to expect more of a story about their relationship rather than a celebration of ritual and family, but a celebration it is. Cars full of relatives finally pull up and out tumble tired, but cheerful parents and excited kids. Howard’s (One Bright Penny, p. 1395, etc.) inviting illustrations capture the complex expressions and postures of the adults and the children’s giddy and gleeful faces. The rhyming dinner menu, which Jay Jay recites, is astounding. “There were buttery peas, chicken and yams, macaroni and cheese, potatoes and ham. Biscuits, gravy, collard greens, pasta salad, rice and red beans! There was apple pie and vanilla ice cream, fresh peach cobbler covered in steam, raspberry sauce, coffee and tea—plenty, plenty for everybody!” Though a February release, the content invokes the holiday season and voices the importance of family without forcing it down anyone’s throat. Nothing else could fit after that meal anyway. (Picture book. 3-6)

Pub Date: Feb. 1, 2003

ISBN: 0-7636-1851-9

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 2002

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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A rite of passage seen through the lens of a favorite literary pal.

LLAMA LLAMA LOOSE TOOTH DRAMA

From the Llama Llama series

Llama Llama loses a tooth for the first time.

All of the wiggling can make having a loose tooth fun, but there can be some worry, too. How will it fall out? There is a tooth fairy? What does she do? Llama Llama is distressed. “Is it fun? / Or is it scary? / Just who, exactly, / IS this Fairy?” Luckily, Mama is there to help. “The Fairy’s great. She’s kind and funny. / She takes your tooth / and leaves you money.” Llama Llama is on board with that! Appropriately, exactly how much money is never specified, but the tiny llama fairy is shown carrying a bag stuffed with bills. Hopefully she has many houses to visit. Gram and Grandpa have lots of ideas on how to get the tooth to fall out, but Llama’s tooth stays put until bedtime. Suddenly, Llama realizes his tooth is gone: “OH NO. / Where is that tooth? / Where did it GO?” Will the tooth fairy come if the tooth is lost? The comforting cadence of the rhymes paired with warm, textured hues soften all the drama. As in the other posthumously published Llama Llama books, Morrow’s textured paintings emulate Dewdney’s definitively lined renderings. The fluttering llama fairy, along with Llama’s stuffed llama, whose wide eyes notice all, will delight eagle-eyed readers. (This book was reviewed digitally with 10.3-by-20-inch double-page spreads viewed at 41.8% of actual size.)

A rite of passage seen through the lens of a favorite literary pal. (Picture book. 3-6)

Pub Date: Nov. 17, 2020

ISBN: 978-0-593-20603-4

Page Count: 40

Publisher: Viking

Review Posted Online: Sept. 29, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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