A pleasant kids’ story that may inspire new bedtime routines.
In Noble’s posthumously published picture book, a girl looks for something her mother lost.
One evening, young Bekah’s mother tells her that she’s lost her voice. Perplexed, the girl searches for it, checking underneath a table, on a bookshelf, and behind green curtains with white spots. Mom’s voice is nowhere to be found, so Bekah dives into her toys and into a basket of yarn; she explores more possibilities, such as underneath a rug and inside a vacuum cleaner tube, to no avail, and feels defeated. Mama then sits on the floor, looking kindly at Bekah and chucking her under the chin. She assures the girl that her voice will return soon and tucks her into bed, giving her a kiss on the head. The story ends with Mama’s voice returning, and readers learn that Bekah and Mama have a nighttime lullaby-singing ritual. Noble, according to the author bio, “authored this book as a testament to the imagination of children.” Overall, the sparse text is suitable for a very young picture-book audience. Caregivers may wish that it included more visual description to bolster the story and increase the age range of its potential audience, but it’s sweet as is. Fairchild’s appealing, full-color illustrations employ a distinctly gentle, soft cartoon style, which sets a comforting tone.
A pleasant kids’ story that may inspire new bedtime routines.Pub Date: Sept. 1, 2023
ISBN: 9781039184572
Page Count: 28
Publisher: FriesenPress
Review Posted Online: Nov. 6, 2023
Review Program: Kirkus Indie
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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