McAllister aims frequently for high-impact wackiness but generally achieves a lukewarm silliness.

SCRATCH

There are precious few ways to make golf interesting to read about, much less funny, as the pseudonymous McAllister (a.k.a. Lee Gruenfeld) makes abundantly clear.

McAllister has carved himself a special little niche as one of the foremost practitioners of golf fiction. Here, he gives us the third in a series (The Green, 1999, etc.) about the supposedly-entertaining high jinks of one Eddie Caminetti, apparently not only the greatest golf hustler of all time but possibly the smartest man who ever lived. Eddie’s old buddy, “Fat Albert” Auberlain, had until very recently been one of the sport’s rising stars, but all of a sudden he developed a crushing inability to hit the ball with even a fraction of his former power and precision. Partly inspired by Auberlain’s need, and also by the desire to make gobs of money, Eddie makes friends with egghead extraordinaire Norman Standish to make the world’s most incredible golf ball. Called “Scratch,” the result has a smart little logo of a she-devil on it, is rumored to move like a bullet, retails for $100 a dozen, and causes riots at pro shops. Threatened by this new arrival, the gargantuan golf-supply conglomerate Medalist throws together a spurious lawsuit to hurl at Eddie and his upstart company. But the suit proves to be no worry, as Eddie, who turns out to be a quick study at lawyering, gives the lying, thieving execs at Medalist something to worry about. Meanwhile, he also manages to find time to hustle just about everyone he comes across. He never lies in order to win; it’s just, like old Scratch himself, that he finds the devil in the details of his agreements with his victims. Unfortunately, none of all this is terribly entertaining, since Eddie is so preternaturally street-smart and capable that there’s never any question of a contest’s outcome.

McAllister aims frequently for high-impact wackiness but generally achieves a lukewarm silliness.

Pub Date: April 1, 2003

ISBN: 1-59071-006-1

Page Count: 304

Publisher: Rugged Land

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2003

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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