by Truus Matti & translated by Laura Watkinson ‧ RELEASE DATE: Jan. 14, 2013
A poignant story of art, growth and loss. (further reading, websites, list of museums) (Historical fiction. 10-14)
A young boy discovers the power of art during wartime in Matti’s second novel (Departure Time, 2010).
It’s November 1943 in New York City. When Linus’ older brother Albie leaves for the war, household responsibilities, just like the family’s well-worn shoes, pass down from sibling to sibling. Linus inherits the job of delivering groceries for the family store, and every other week, he brings a crate of oranges to a man he dubs “Mister Orange.” Based on the Dutch painter Piet Mondrian, Mister Orange introduces Linus to the “the colors of the future”—yellow, red and blue—that decorate his canvases and his apartment. For Linus, visiting Mister Orange, with whom he discusses art and who teaches him the boogie-woogie, is a welcome distraction from Albie’s absence. However, Linus soon wonders if art, whether it’s comic books or Mister Orange’s paintings, has a purpose when soldiers are dying. Matti ably depicts Linus’ loss of innocence as he discovers the brutality of war. However, certain subplots, like a fight between Linus and his best friend, feel too easily resolved. The novel is strongest in the depiction of Linus’ unlikely friendship with Mister Orange, who has a childlike spirit but also knows how art can be a way to fight for freedom. Concluding notes on Mondrian add context.
A poignant story of art, growth and loss. (further reading, websites, list of museums) (Historical fiction. 10-14)Pub Date: Jan. 14, 2013
ISBN: 978-1-59270-123-0
Page Count: 164
Publisher: Enchanted Lion Books
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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by Truus Matti & translated by Nancy Forest-Flier
by Mitali Perkins ‧ RELEASE DATE: July 1, 2010
Well-educated American boys from privileged families have abundant options for college and career. For Chiko, their Burmese counterpart, there are no good choices. There is never enough to eat, and his family lives in constant fear of the military regime that has imprisoned Chiko’s physician father. Soon Chiko is commandeered by the army, trained to hunt down members of the Karenni ethnic minority. Tai, another “recruit,” uses his streetwise survival skills to help them both survive. Meanwhile, Tu Reh, a Karenni youth whose village was torched by the Burmese Army, has been chosen for his first military mission in his people’s resistance movement. How the boys meet and what comes of it is the crux of this multi-voiced novel. While Perkins doesn’t sugarcoat her subject—coming of age in a brutal, fascistic society—this is a gentle story with a lot of heart, suitable for younger readers than the subject matter might suggest. It answers the question, “What is it like to be a child soldier?” clearly, but with hope. (author’s note, historical note) (Fiction. 11-14)
Pub Date: July 1, 2010
ISBN: 978-1-58089-328-2
Page Count: 288
Publisher: Charlesbridge
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
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by Mitali Perkins ; illustrated by Khoa Le
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by Mitali Perkins ; illustrated by Kevin Howdeshell & Kristen Howdeshell
by Jack Gantos ‧ RELEASE DATE: Sept. 13, 2011
Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)
An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”
The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.
Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)Pub Date: Sept. 13, 2011
ISBN: 978-0-374-37993-3
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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by Jack Gantos ; illustrated by Jack Gantos
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