by Tsung-Long Wu ‧ RELEASE DATE: May 30, 2026
A speculative and sharp SF adventure that explores gaps in time and logic.
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In Wu’s SF novel, a peculiar phenomenon pulls a couple into a high-stakes conspiracy.
Firefighter Hope Valentine has spent more than 15 years learning to understand the movement and behavior of fires, but nothing prepares him for the life-changing evening when he witnesses a fire “un-burn” itself. During a rescue, the flames are pulled backward in “slow reverse” down a hallway before continuing onward again. It’s an impossibility that he can’t shake—can such a twist in reality actually exist? His wife, scientist Sophy Valentine, is busy testing her own theory, as well as the limits of science and reality. As a physicist in a neuroscience lab, she’s investigating whether memory has a physical basis in the brain: “Does observation discover the remembered thing, or create it?” Her findings intersect with a classified program built around a brief window of “quantum coherence” in a living brain: “in the picture, blooming hot and red at the boundary where the hippocampus met the cortex—the seam where the brain stitches the present moment into the past—there was the gate.” This “gate” in reality is defined as a Twilight Zone–like gap in which cause and effect fall apart, a phenomenon that Col. Marcus Hargrave, formerly with the Air Force and now in an unnamed, secret position, intends to weaponize. Hope, uniquely sensitive to this gate, is the one person capable of crossing into it. The colonel pressures Sophy with a demand: “Find out why reality is leaking in people.” Hargrave will turn the project into a scientific experiment conducted upon a city and its population—unless the couple can stop his plans.
The premise of Wu’s novel is an addictive, trippy hook. The author displays a skill for conjuring atmosphere: “There is a place in the Nevada desert where the light goes in and does not come out. You can find it on no public map. The road that approaches it is unmarked and ends, eleven miles short, at a fence that the government has not bothered to explain.” Wu’s tight, declarative prose lends an eerie, subterranean flavor to the tale of scientific discovery. The author’s prefatory note about “The scientific framework underlying this novel, including the Inverse Time Dimension Theory,” does little to support the story’s believability, but any concerns about verisimilitude are allayed as the story takes shape. The text has a few irregularities, such as dialogue lines missing question marks (“What do you want.” “May we talk.”), that read as typos rather than stylistic choices, but these are minor blemishes in a compelling narrative that manages to maintain momentum despite the densely packed, science-centered material. While the novel is squarely in the SF realm, it’s the romance and marriage at the story’s center that ground the action and distinguish the book from others in the genre. Wu depicts a relationship worth rooting for as Hope and Sophy stubbornly hold on in the face of threats from external forces and the knowledge weighing them down. A speculative and sharp SF adventure that explores gaps in time and logic.Pub Date: May 30, 2026
ISBN: 9798235056640
Page Count: 228
Publisher: Self
Review Posted Online: Aug. 31, 2026
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by John Green ‧ RELEASE DATE: Sept. 22, 2026
A classic Green portrait of young love…but here the fault is in our social media.
A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.
“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?
A classic Green portrait of young love…but here the fault is in our social media.Pub Date: Sept. 22, 2026
ISBN: 9780525426073
Page Count: 304
Publisher: Dutton
Review Posted Online: Sept. 4, 2026
Kirkus Reviews Issue: Oct. 15, 2026
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