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GIRLCHILD

Bright young girl must endure family dysfunction and sexual abuse while coming of age in a Reno trailer park during the late 1980s.

Life in the Calle de Las Flores trailer park, as Rory Dawn Hendrix tells it, comes with its own unique rituals and social mores. People live paycheck-to-paycheck, cops and child-protective services are the natural enemies and getting away from the Calle is “an act of will akin to suicide, in force and determination.” An excellent student whose off-the-charts test scores amaze and confound her teachers, Rory nonetheless feels she is of “feebleminded” stock. Her hard-drinking mother Johanna tends bar at the Truck Stop, relying on her lissome figure to eke out tips. Bearing four sons before she was 21 years old (and losing all her teeth by the time she was 25), Johanna has more than her fair share of demons. Her four grown sons chose to live with their father over her, and she seems ill equipped to take care of herself, let alone another person. Like Johanna, Rory’s grandma Shirley Rose has an ugly history with men, and an addiction of her own. She prefers the slots, and looks after Rory while her mom works. When she finally moves from the Calle, Johanna entrusts Rory to a sullen teenage neighbor, Carol. It turns out that Carol’s father, popularly known as the Hardware Man, has been molesting Carol, and preys upon Rory as well. And when he in turn moves away, taking that secret with him, it is left to Rory to rebuild her shattered self-esteem. Taking inspiration from a battered library copy of The Girl Scout Handbook, Rory does a remarkable job raising herself, while trying to let go of the people (and hurts) that no longer serve her. With a compelling (if harrowing) story and a wise-child narrator, Hassman’s debut gives voice—and soul—to a world so often reduced to cliché. A darkly funny and frequently heartbreaking portrait of life as one of America’s have-nots.

 

Pub Date: Jan. 31, 2012

ISBN: 978-0-374-16257-3

Page Count: 224

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 12, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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