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WHERE THE WOLF LIES

A tale of white-collar crime that crackles with energy.

Awards & Accolades

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In this debut thriller, an American banker’s business trip to Paris finds him unwittingly entangled in an embezzler’s deadly revenge plot.

Paul Hart’s boss at Calhoun Capital in New York, James Hutchens, sends him to Paris to take a closer look at Renard Industries. CEO Claude Renard is a client at Calhoun, but as his current holdings are “minimal,” Hutchens wants him to move more money to the American company. Once in Paris, Hart initially meets Renard’s director of affairs, Clara Nouvelle, who essentially vets him on her boss’s behalf. Hart is understandably anxious. He has no strategy for gathering information on Renard Industries, and Hutchens has even implied that Hart’s career is at stake. But Hart finds solace in Clara, and he falls for the beguiling, self-assured woman in no time. The business trip takes an unexpected turn after Clara and Hart head to London for “a black-tie charity auction.” It’s an opportunity for Hart to meet associates of Renard’s, including his London banker, Igor Romanski. Hart doesn’t trust Igor, in part for his apparent smugness and aggressive mannerisms. But readers know that Igor has been embezzling money and laundering it for quite some time in London. And he has even bigger plans, including some type of revenge that includes an attack. As Igor’s scheme soon entails outright murder, Hart is in imminent danger. He also realizes that someone’s deception has put him in trouble with the Parisian authorities, and he may have to clear his name, provided he can stay alive. Though Flynn’s novel has little action or suspense, the plot moves at a steady clip. Hart is in Paris relatively quickly while his romance with Clara is almost instantaneous. The protagonist’s backstory is captivating: Dating Hutchens’ daughter, Veronica, led to his Calhoun job. Despite Veronica dumping Hart, Hutchens has continued to employ him. This makes Hart a vulnerable and sympathetic character, especially in light of Hutchens vaguely threatening his position at Calhoun. Although Hart concentrates on and periodically ogles Clara’s physical traits, she is a resourceful character whose many attributes gradually come to light, especially in the final act. The author shrewdly keeps the characters to a minimum and the story largely free of complications, like extraneous subplots. While this approach produces a clearly defined good guy and bad guy (Hart and Igor), there’s an overall wariness among other characters. More than one individual, for example, has been keeping secrets from Hart. Those secrets ultimately result in several plot twists, though at least a couple are ones readers will easily predict. Still, that doesn’t hamper the action when it finally arrives in the form of a shootout, a car chase, and more. Throughout the book, Flynn rigorously details environments, like scenes in London: “Continuing towards the Thames, they emerged from the smaller, narrow streets into an open square….Apartments were being refurbished, and dumpsters and heavy machinery were scattered about, the old brick buildings surrounding them looking in dire need of repair.”

A tale of white-collar crime that crackles with energy.

Pub Date: May 14, 2019

ISBN: N/A

Page Count: 272

Publisher: Papillon Press

Review Posted Online: April 29, 2019

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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