by Ulf Stark ; illustrated by Eva Eriksson ‧ RELEASE DATE: May 15, 2016
An engrossing episode, infused with magic and with moments light and dark as well as lots of small furry animals.
The gruff but large-hearted Scandinavian gnome usually associated with Yuletide takes an offseason turn when a summer storm brings a company of homeless woodland creatures to his door.
Faithfully tending to a cottage that has had no human residents for many years, the aptly named Grump faces the prospect of losing his sole companion, a wise bee met in The Yule Tomte and the Little Rabbits (2014). Meanwhile, along with talk of the coming of midsummer in the tumultuous Rabbit clan, young Binny is smitten with newly met Rory—portrayed in Eriksson’s cozy, slightly soft-focus illustrations as a bunny with significantly darker fur than Binny’s and her family’s. The idyllic opening scenes take on a dramatic cast with the wild storm, into which Rory intrepidly slogs to rescue Father Rabbit’s prized hat. A falling tree leaves Rory at death’s door, but he recovers in time to join in a joyous midsummer frolic around a maypole and, with the red-capped tomte presiding, be married to Binny. In a series of sweet closing chapters, Grump’s grumpiness is forever banished by a midsummer’s dance with a fairy, and by summer’s end there’s a pair of new little bunnies to dandle on his knees. Stark’s simple, dreamy prose and the idyllic gatherings centering on the kindly tomte seamlessly combine to create a superb candidate for reading aloud.
An engrossing episode, infused with magic and with moments light and dark as well as lots of small furry animals. (Illustrated fantasy. 5-10)Pub Date: May 15, 2016
ISBN: 978-1-78250-244-9
Page Count: 120
Publisher: Floris
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
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by Adam Lehrhaupt ; illustrated by Magali Le Huche ‧ RELEASE DATE: Sept. 12, 2017
Best for readers who have clearly indicated they would like to take their writing efforts to the next level.
A young white girl writes and illustrates a story, which is critiqued by the narrator as it is created.
The girl begins her story by drawing a Hero. Then she thinks maybe a Heroine would be better. Then she decides both will work. She places them in “a good town, filled with good people, called our Setting.” The narrator, an unseen editor who lurks over the artist’s shoulder, tells the storyteller she needs to put in some Conflict, make the Evil Overlord scarier, and give it better action. This tongue-in-cheek way of delivering the rules of creative writing is clever, and paired with Le Huche’s earnest, childlike illustrations, it seems to be aimed at giving helpful direction to aspiring young creators (although the illustrations are not critiqued). But the question needs to be asked: do very young writers really need to know the rules of writing as determined by adults? While the story appears to be about helping young readers learn writing—there is “A Friendly List of Words Used in this Book” at the end with such words as “protagonist” and “antagonist” (glossed as “Hero and Heroine” and “Evil Overlord,” respectively)—it also has a decidedly unhelpful whiff of judgment. Rules, the text seems to say, must be followed for the story to be a Good one. Ouch.
Best for readers who have clearly indicated they would like to take their writing efforts to the next level. (Picture book. 6-10)Pub Date: Sept. 12, 2017
ISBN: 978-1-4814-2935-1
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Josh Funk ; illustrated by Edwardian Taylor ‧ RELEASE DATE: Oct. 25, 2022
Will leave readers as happy as a pig in mud.
It’s good to embrace change.
Although an unseen narrator attempts to tell an accustomed version of “The Three Little Pigs”—here named Alan, Alfred, and Alvin Albert—their younger sister, Alison, wants to get in on the action because she’s a natural storyteller. The narrator grudgingly allows Alison to tag along, but her added bits of flavor and the unexpected personalities of her brothers soon send the story off its traditional tracks and into hilarious hijinks. For example, Alan’s love of building allows him to design a functional house made of plastic drinking straws, Alfred’s stick house is actually constructed by Alan because Alfred’s clearly a star and not stage crew, and Alvin’s shacking up in a pumpkin behind Cinderella’s castle because he’s…not the crispiest piece of bacon on the plate. Alison’s quick thinking leads the brothers to be one step ahead of the wandering wolf. When the narrator hits their limit, a conversation with Alison proves that collaboration can lead to unexpected but wonderful results. The story flows well, accompanied by energetic cartoon art, and the choice to color-code the speech bubbles of each character (and the text of the narrator vs. Alison) ensures readers will be able to follow the snappy dialogue. Those who love to make up their own stories will be inspired, and readers who march to the beats of their own drums will be delighted. (This book was reviewed digitally.)
Will leave readers as happy as a pig in mud. (Picture book. 6-10)Pub Date: Oct. 25, 2022
ISBN: 978-1-5420-3243-8
Page Count: 40
Publisher: Two Lions
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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