by Ulf Stark ; illustrated by Eva Eriksson ‧ RELEASE DATE: May 15, 2016
An engrossing episode, infused with magic and with moments light and dark as well as lots of small furry animals.
The gruff but large-hearted Scandinavian gnome usually associated with Yuletide takes an offseason turn when a summer storm brings a company of homeless woodland creatures to his door.
Faithfully tending to a cottage that has had no human residents for many years, the aptly named Grump faces the prospect of losing his sole companion, a wise bee met in The Yule Tomte and the Little Rabbits (2014). Meanwhile, along with talk of the coming of midsummer in the tumultuous Rabbit clan, young Binny is smitten with newly met Rory—portrayed in Eriksson’s cozy, slightly soft-focus illustrations as a bunny with significantly darker fur than Binny’s and her family’s. The idyllic opening scenes take on a dramatic cast with the wild storm, into which Rory intrepidly slogs to rescue Father Rabbit’s prized hat. A falling tree leaves Rory at death’s door, but he recovers in time to join in a joyous midsummer frolic around a maypole and, with the red-capped tomte presiding, be married to Binny. In a series of sweet closing chapters, Grump’s grumpiness is forever banished by a midsummer’s dance with a fairy, and by summer’s end there’s a pair of new little bunnies to dandle on his knees. Stark’s simple, dreamy prose and the idyllic gatherings centering on the kindly tomte seamlessly combine to create a superb candidate for reading aloud.
An engrossing episode, infused with magic and with moments light and dark as well as lots of small furry animals. (Illustrated fantasy. 5-10)Pub Date: May 15, 2016
ISBN: 978-1-78250-244-9
Page Count: 120
Publisher: Floris
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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by Chris Van Dusen ; illustrated by Chris Van Dusen ‧ RELEASE DATE: Aug. 13, 2019
An all-day sugar rush, putting the “fun” back into, er, education.
A young visionary describes his ideal school: “Perfectly planned and impeccably clean. / On a scale, 1 to 10, it’s more like 15!”
In keeping with the self-indulgently fanciful lines of If I Built a Car (2005) and If I Built a House (2012), young Jack outlines in Seussian rhyme a shiny, bright, futuristic facility in which students are swept to open-roofed classes in clear tubes, there are no tests but lots of field trips, and art, music, and science are afterthoughts next to the huge and awesome gym, playground, and lunchroom. A robot and lots of cute puppies (including one in a wheeled cart) greet students at the door, robotically made-to-order lunches range from “PB & jelly to squid, lightly seared,” and the library’s books are all animated popups rather than the “everyday regular” sorts. There are no guards to be seen in the spacious hallways—hardly any adults at all, come to that—and the sparse coed student body features light- and dark-skinned figures in roughly equal numbers, a few with Asian features, and one in a wheelchair. Aside from the lack of restrooms, it seems an idyllic environment—at least for dog-loving children who prefer sports and play over quieter pursuits.
An all-day sugar rush, putting the “fun” back into, er, education. (Picture book. 6-8)Pub Date: Aug. 13, 2019
ISBN: 978-0-525-55291-8
Page Count: 32
Publisher: Dial Books
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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